Film, a sound art

Abstract

Preface to the English Edition Translator's Note Part I. History 1. When Film Was Deaf (1895-1927) 2. Chaplin-Three Steps into Speech 3. Birth of the Talkies or of Sound Film? (1927-1935) 4. Jean Vigo-The Material and the Ideal 5. The Ascendancy of King Text (1935-1950) 6. Babel 7. The Time It Takes for Time to Harden (1950-1975) 8. The Return of the Sensorial (1975-1990) 9. The Silence of the Loudspeakers (1990-2003) 10. On a Sequence from The Birds: Sound Film as Palimpsestic Art Part II. Aesthetics and Poetics 11. Jacques Tati, the Cow, and the Moo 12. The Disappointed Fairies Around the Cradle 13. The Separation 14. The Real and the Rendered 15. The Three Borders 16. Audiovisual Phrasing 17. Alfred Hitchcock: Seeing and Hearing 18. The Twelve Ears 19. Orson Welles: The Voice and the House 20. The Talking Machine 21. Faces and Speech 22. Andrei Tarkovsky: Language and the World 23. The Five Powers 24. God Is a Disc Jockey 25. Max Ophuls: Music, Noise, and Speech 26. Like Tears in Rain Glossary List of Illustrations Index

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