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Cited by

• 2010Sentimental Literature and Anglo-Scottish Identity, 1745–182069 cited
• 2011The Appearance of Print in Eighteenth-Century Fiction48 cited
• 1997Commerce and Masochistic Desire in the 1790s: Frances Burney's Camilla39 cited
• 2002Domestic Intelligence: Newspaper Advertising and the Eighteenth-Century Novel28 cited
• 1998Staging Identity: Frances Burney's Allegory of Genre26 cited
• 2002The Mistress of the Marriage Market: Gender and Economic Ideology in Defoe's Review24 cited
• 2002From Propensity to Profession: Female Authorship and the Early Career of Frances Burney21 cited
• 1991"Oh Dear Resemblance of Thy Murdered Mother": Female Authorship in Evelina20 cited
• 2013Clandestine Schemes: Burney’s Cecilia and the Marriage Act18 cited
• 2006Where the Bodies Are Hidden: Ann Radcliffe's "Delicate" Gothic16 cited
• 1994Elizabeth Hamilton's Domestic Politics16 cited
• 2005"Her Gift Was Compelled": Gender and the Failure of the "Gift" in Cecilia15 cited
• 2014‘I quite detest the man’: Degree adverbs, female language and Jane Austen14 cited
• 2013Clandestine Marriage and Frances Burney’s Critique of Matrimony in Cecilia14 cited