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Poverty and Support for Artists
7 references·4 citing·33 second hop
Poverty and Support for Artists (2011)Poverty and Support for ArtistsThe Arts and Economic Policy (2006)The Arts and Economic PolicyARTISTIC LABOR MARKETS: CONTINGENT WORK, EXCESS SUPPLY AND OCCUPATIONAL RISK MANAGEMENT * (2006)ARTISTIC LABOR MARKETS: CONTI…The Making of Cultural Policy: A European Perspective (2005)The Making of Cultural Policy…Why Are Artists Poor? (2002)Why Are Artists Poor?Uit de schilderswereld (1998)Uit de schilderswereldA Work-Preference Model of Artist Behaviour (1994)A Work-Preference Model of Ar…COST AND VALUE IN SEVENTEENTH‐CENTURY DUTCH ART (1987)COST AND VALUE IN SEVENTEENTH…Creative industries in transition: A study of Santiago de Chile's autopoietic cultural transformation (2024)Creative industries in transi…Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income (2024)Basic income, post-precarious…Los derechos económicos, sociales y culturales de los artistas en contextos de violencia y pobreza. El caso de Acapulco, México (2021)Los derechos económicos, soci…Le recrutement des figurants de l'audiovisuel. L'ANPE Spectacle, un intermédiaire public sur le marché des images (2014)Le recrutement des figurants …The social psychology of organizing (1969)The Management of Innovation (1994)The Human Condition (1998)Making the Intern Economy: Role and Career Challenges of the Music Industry Intern (2013)“Write a Word, Get a Third” (2015)Artistic education matters: survival in the arts occupations (2016)Le rôle des réseaux et des marchés dans les recrutements (2009)Intermédiaires du travail artistique (2011)Les intermittents du spectacle (2011)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Autopoiesis and Cognition: The Realization of the Living (1980)In the Social Factory? (2008)Economies of Signs and Space. (1994)Capital in the Twenty-First Century (2014)Be creative: making a living in the new culture industries (2017)#WeAreViable, aren’t we? Music careers, state support, and the political feasibility of a Basic Income for the Arts (2025)Arts funding in New Zealand: a proposal for reform (2011)The Artful Economist (2016)Matchfunding goes digital: The benefits of matching policymaking with the crowd’s wisdom (2022)A Most Ingenious Paradox: The Market for Contemporary Fine Art (1998)The Republican Alternative : The Netherlands and Switzerland Compared (2008)Why Are Artists Poor? : The Exceptional Economy of the Arts (2008)A Textbook of Cultural Economics (2010)Unrewarded careers in the creative class: The strange case of bohemian graduates (2010)A Textbook of Cultural Economics (2019)Chapter 23 Artists' Careers and Their Labor Markets (2006)The happy artist: an empirical application of the work-preference model (2012)Who Goes Freelance? The Determinants of Self-Employment for Artists (2017)Why is Fiscal Policy Often Procyclical? (2005)\nLooking for multiple equilibria when geography matters : German city growth and the WWII shock (2007)Unit Roots and Cointegration in Panels (2015)Arts and Ageing; Life Expectancy of Historical Artists in the Low Countries (2014)Art Reproduction and the Nation: National Perspectives in an International Art Market (2019)
this work references cited by second hop

References

  • 2002Why Are Artists Poor?209 cited
  • 1994A Work-Preference Model of Artist Behaviour159 cited
  • 2006ARTISTIC LABOR MARKETS: CONTINGENT WORK, EXCESS SUPPLY AND OCCUPATIONAL RISK MANAGEMENT *73 cited
  • 2005The Making of Cultural Policy: A European Perspective55 cited
  • 1987COST AND VALUE IN SEVENTEENTH‐CENTURY DUTCH ART54 cited
  • 2006The Arts and Economic Policy16 cited
  • 1998Uit de schilderswereld6 cited

Cited by

  • 2014Le recrutement des figurants de l'audiovisuel. L'ANPE Spectacle, un intermédiaire public sur le marché des images16 cited
  • 2024Creative industries in transition: A study of Santiago de Chile's autopoietic cultural transformation8 cited
  • 2024Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income6 cited
  • 2021Los derechos económicos, sociales y culturales de los artistas en contextos de violencia y pobreza. El caso de Acapulco, México5 cited

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