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Innocent Flowers: Women in the Edwardian Theatre
0 references·15 citing·45 second hop
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Cited by

  • 2004The Cambridge History of British Theatre105 cited
  • 1999Medea and British Legislation Before The First World War52 cited
  • 2003Feminist Views on the English Stage: Women Playwrights, 1990-200039 cited
  • 2003Feminist Views on the English Stage35 cited
  • 2004Theatre, Society and the Nation: Staging American Identities27 cited
  • 2013Die Ordnung des Theaters25 cited
  • 2015The Cambridge Companion to Victorian Women's Writing24 cited
  • 2009Necessary Torture? Vivisection, Suffragette Force-Feeding, and Responses to Scientific Medicine in Britain c. 1870-192023 cited
  • 1984The Impact of Feminism on the Theatre8 cited
  • 2010"Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote7 cited
  • 2005Private Lives and Public Spaces: Reputation, Celebrity and the Late Victorian Actress6 cited
  • 2004British theatre, 1895–1946: art, entertainment, audiences – an introduction4 cited
  • 2019The Omega Workshops and the modern artistic interior on the British stage, 1914–1918, with special reference to The Wynmartens (1914)3 cited
  • 2020‘Sassin’ Back’: Victorian Serio-Comediennes and Their Audiences3 cited

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2004
Popular theatre, 1895–1940
3 cited