The subjects of art history : historical objects in contemporary perspectives

Abstract

Introduction 1. Immanuel Kant and the bo(a)rders of art history Mark A. Cheetham 2. Art history's hegelian unconscious: naturalism as nationalism in the otherlandish painting Keith Moxey 3. Spirits and ghosts in the historiography of art Michael Ann Holly 4. Seeing signs: the use of semiotics for the understanding of visual art Mieke Bal 5. The politics of feminist art history Patricia Mathews 6. Homesexualism, gay and lesbian studies and queer theory in art history Whitney Davis 7. Phenomenology and the limits of hermeneutics Stephen Melville 8. Deconstruction and photography David Philips 9. The work of art and its beholder: the methodology and aesthetic of reception Wolfgang Kemp 10. Between art history and psychoanalysis: the methodology of the aesthetic of reception Steven Z. Levine 11. Passing between art history and post-colonial theory James D. Herbert 12. Art history and museums Stephen Bann 13. Museums and galleries as sites for artistic intervention Gerald McMaster 14. Art history's significant other ... film studies Bruce Barber 15. Interpreting the void: architecture and spatial anxiety Anthony Vidler 16. Computer applications for art history Willam Vaughan.

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