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Cited by

• 2011Toward an Interdisciplinary Understanding of Educational Equity and Difference301 cited
• 2009The Prophetic Voice and the Face of the Other in Barack Obama's "A More Perfect Union" Address, March 18, 200877 cited
• 2016The Call to Performance66 cited
• 2008To Be(come) Young, Gay, and Black: Lorraine Hansberry’s Existentialist Routes to Anticolonialism56 cited
• 2012“Don’t Let Me Be Misunderstood”: Nina Simone’s Theater of Invisibility46 cited
• 2007Racism on the Victorian Stage: Representation of Slavery and the Black Character44 cited
• 2011Performing a Geography of Asian America: The Chop Suey Circuit22 cited
• 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
• 2006Performing Gender and Interpersonal Communication Research19 cited
• 2001[Ed.] Bullins as Editorial Performer: Textual Power and the Limits of Performance in the Black Arts Movement17 cited
• 2003Black and White and Re(a)d All Over Again: Indigenous Minstrelsy in Contemporary Canadian and Australian Theatre17 cited
• 2019La movilización del tema afrodescendiente en La Habana, 2012–2014: Un estudio de las posibilidades del performance12 cited
• 2013Fat Spirit: Obesity, Religion, and Sapphmammibel in Contemporary Black Film9 cited