Manga's Cultural Crossroads

Abstract

Introduction Jaqueline Berndt and Bettina Kummerling-Meibauer Part 1: Crosscultural Perspectives on Studies 1. Localizations of in the U.S. Frederik L. Schodt 2. Manga as a form of Western resistance against traditional Japanese expression: Kitazawa Rakuten and the early discourse on Ronald Stewart 3. The mischief gag comic, a constitutive and enduring international phenomenon: Yohokama Ryuichi's Fuku-chan and its friends in Europe and the Americas Pascal Lefevre 4. Tentacles, Superheroes, Pencil Strokes: The parodic body in European and Japanese erotic comics and manga Elisabeth Klar 5. Translating the visual languages of Japanese fan comics and North American and European fan art Nele Noppe 6. Mainstream manga as a challenge to transcultural Comics Studies Jaqueline Berndt 7. Manga/comic hybrid forms in picturebooks: Emergence of a transcultural art form Bettina Kummerling-Meibauer Part 2: NARUTO as cultural crossroad 8. NARUTO as a typical weekly-magazine manga Tomoyuki Omote 9. The traditional Naruto (maelstrom) motif in Japanese culture Franziska Ehmcke 10. (NARUTO as a manhwa: On the reception of Japanese popular culture in the Republic of Korea Chie Yamanaka 11. Women in NARUTO, women reading NARUTO Yukari Fujimoto 12. Fanboys and NARUTO epics: Exploring new ground in fanfiction studies Jessica Bauwens-Sugimoto and Nora Renka 13. auteur and Anime as Seen in the NARUTO TV Series: An Intercultural Dialogue between Film Studies and Anime Research Sheuo Hui Gan 14. Playing NARUTO: Between meta-narrative characters, unit operations and objects Martin Roth

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