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Pictures in place: the figured landscapes of rock-art
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  • 2014Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges97 cited
  • 2017Plants before farming: The deep history of plant-use and representation in the rock art of Australia's Kimberley region65 cited
  • 2013Rock art and social geography in the Upper Paleolithic. Contribution to the socio-cultural function of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France) from the viewpoint of its sculpted frieze30 cited
  • 2017Interpretations of Footprints in the Bronze Age Rock Art of South Scandinavia29 cited
  • 2007British Neolithic Rock Art in its Landscape25 cited
  • 2010The imagistic web of San myth, art and landscape23 cited
  • 2017Methodological contribution to the integrated study of European Palaeolithic rock art: The issue of the audience and the perceptibility of Roc-aux-Sorciers rock art (Angles-sur-l'Anglin, France)21 cited
  • 2020Investigating the Anthropic Construction of Rock Art Sites Through Archaeomorphology: the Case of Borologa, Kimberley, Australia20 cited
  • 2018Before the Anthropocene: human pasts in Karoo landscapes16 cited
  • 2023The oldest plans to scale of humanmade mega-structures14 cited
  • 2020Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access?13 cited
  • 2015Field-Based near Infrared Spectroscopy for Analysis of Scandinavian Stone Age Rock Paintings13 cited

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  • 2020The Easternmost European Palaeolithic Artists: Iconography and Graphic Features at Kapova Cave (Southern Urals, Russia)11 cited
  • 2014Narrating Biesje Poort: negotiating absence of storyline, vagueness and multivocality in the representation of Southern Kalahari rock engravings10 cited
  • 2020Psychology Meets Archaeology: Psychoarchaeoacoustics for Understanding Ancient Minds and Their Relationship to the Sacred10 cited
  • 2012Rock Art and Seascapes8 cited