The Terministic screen: rhetorical perspectives on film

Abstract

The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric's role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams, and A Time to Kill. This unique volume is about seeing and interpreting, about visual rhetoric and making meaning, about film as a symbolic form of expression. The essayists convey an approach to film as a set of well-grounded theoretical perspectives including psychoanalytic, semiotic, hermeneutic, phenomenological, and cultural discourses. These insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification. Collectively, these essays examine society through a rhetorical lens, inviting the readers to judge for themselves the significant role rhetoric plays in the arena of film. Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.

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