100 years of European cinema : entertainment or ideology?

Abstract

Introduction - Diana Holmes & Alison Smith Part I: Ideologies and cinematic pleasure 1. But eastward, look, the land is brighter: towards a topography of utopia in the Stalinist musical - Richard Taylor 2. Entertained by the class enemy: cinema programing policy in the German Democratic Republic - Rosemary Stott 3. The forbidden films: film censorship in the wake of the Eleventh Plenun - Daniela Berghahn 4. Sex and subversion in German Democratic Republic cinema: The legend of Paul and Paula (1973) - Andrea Rinke 5. The Good Soldier Svejk and after: the comic tradition in Czech film - Peter Hames 6. Cheaper by the dozen: La gran familia, Francoism and Spanish family comedy - Peter William Evans 7. Displacing the hero: masculine ambivalence in the cinema of Luis Garcia Berlanga - Parvati Nair 8.'When you're not a worker yourself...': Godard, the Dziga Vertov Group and the audience - Steve Cannon 9. Quand une femme n'en est pas une: gendered spectatorship and feminist scopophilia in the early films of Jean-Luc Godard - Eliane Meyer 10. The fictionalisation of terrorism in West German cinema - Stefan Wolff Part II: Entertainment and its ideologies 11. Of human bondage and male bonding: male relationships in recent Russian cinema - David Gillespie 12. Entertainment - but where's the ideology? Truffaut's last films - Diana Holmes 13. Performance in the films of Agnes Varda - Alison Smith 14. Singing our song: music, memory and myth in contemporary European cinema - Wendy Everett 15. Transatlantic crossings: ideology and the remake - Julia Dobson 16. 'Faith in relations between people': Audrey Hepburn, Roman Holiday and European integration - Peter Kramer Index

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