SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The group ethic in the improvising jazz ensemble: a symbolic interactionist analysis of music, identity, and social context
16 references·1 citing·38 second hop
The group ethic in the improvising jazz ensemble: a symbolic interactionist analysis of music, identity, and social context (2010)The group ethic in the improvising jazz e…The Etiquette of Improvisation (2000)The Etiquette of ImprovisationMusicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…Music in Everyday Life (2000)Music in Everyday LifeSaying Something: Jazz Improvisation and Interaction (1999)Saying Something: Jazz Improv…Sounds and society: themes in the sociology of music (1996)Sounds and society: themes in…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Thinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…Music as social text (1992)Music as social textFeminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Philosophy of Modern Music (1976)Philosophy of Modern MusicArt As Collective Action (1974)Art As Collective ActionThe Sociological Eye: Selected Papers (1972)The Sociological Eye: Selecte…The Dialogue of Courtship in Popular Songs (1957)The Dialogue of Courtship in …The Presentation of Self in Everyday Life. (1956)The Presentation of Self in E…The Development of Identification with an Occupation (1956)The Development of Identifica…The Professional Dance Musician and His Audience (1951)The Professional Dance Musici…Scenes, Personae and Meaning: Symbolic Interactionist Semiotics of Jazz Improvisation (2014)Scenes, Personae and Meaning:…Emotion and Meaning in Music (1961)The Structure of Scientific Revolutions (1963)Hedonic Consumption: Emerging Concepts, Methods and Propositions (1982)The field of cultural production, or: The economic world reversed (1983)The Production of Culture Perspective (2004)Art and Illusion (2017)PSYCHOLOGICAL CONDITIONS OF PERSONAL ENGAGEMENT AND DISENGAGEMENT AT WORK. (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)Users of the world, unite! The challenges and opportunities of Social Media (2009)Being and Nothingness (2022)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The Interpretation of Cultures (2017)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)The burn-out syndrome in the day care setting (1977)Revisits: An Outline of a Theory of Reflexive Ethnography (2003)Becoming Muslim: The Development of a Religious Identity (2005)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Group creativity: musical performance and collaboration (2006)Distributed creativity: How collective creations emerge from collaboration. (2009)Music and the materialization of identities (2011)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Handbook of Emotions (1993)
this work references cited by second hop

References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2000Music in Everyday Life2,710 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1972The Sociological Eye: Selected Papers1,131 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1974Art As Collective Action622 cited
  • 1999Saying Something: Jazz Improvisation and Interaction382 cited
  • 1976Philosophy of Modern Music314 cited
  • 1951The Professional Dance Musician and His Audience289 cited
  • 1956The Development of Identification with an Occupation280 cited
  • 1996Sounds and society: themes in the sociology of music240 cited
  • 1992Music as social text141 cited
  • 2000The Etiquette of Improvisation137 cited
  • 1957The Dialogue of Courtship in Popular Songs116 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2014
Scenes, Personae and Meaning: Symbolic Interactionist Semiotics of Jazz Improvisation
5 cited