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The German Musical Exile and the Course of American Musicology
16 references·0 citing·27 second hop
The German Musical Exile and the Course of American Musicology (2005)The German Musical Exile and the Course o…Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002) (2019)Folk Devils and Moral Panics:…The Harvard dictionary of music (2003)The Harvard dictionary of mus…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Text and act: essays on music and performance (1996)Text and act: essays on music…Queering the pitch: the new gay and lesbian musicology (1995)Queering the pitch: the new g…Musicology as a Political Act (1993)Musicology as a Political ActFeminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Crusoe's Footprints: Cultural Studies in Britain and America (1991)Crusoe's Footprints: Cultural…Contemplating Music: Challenges to Musicology (1989)Contemplating Music: Challeng…The New Harvard Dictionary of Music (1988)The New Harvard Dictionary of…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…A History of Western Music (1960)A History of Western MusicThe rise of music in the ancient world, east and west (1943)The rise of music in the anci…The History of Musical Instruments (1942)The History of Musical Instru…Music in Western Civilization (1942)Music in Western CivilizationUmfang, Methode und Ziel der Musikwissenschaft.Umfang, Methode und Ziel der …Policing the Crisis: Mugging, the State, and Law and Order (1978)Enacting the social (2004)From the Achievement Gap to the Education Debt: Understanding Achievement in U.S. Schools (2006)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)The Schenker Project (2007)Class, Control, and Classical Music (2019)From music-beat to heart-beat: A journey in the complex interactions between music, brain and heart (2011)A Joint Prosodic Origin of Language and Music (2017)Cultural evolution of music (2019)Jazz Among the Discourses (1995)Defining and Measuring Sexual Orientation: A Review (1997)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The Imaginary Museum of Musical Works (1994)Eruptions: heavy metal appropriations of classical virtuosity (1992)Prosodic Processes in Language and Music (2006)Wellbeing and Integration through Community Music: The Role of Improvisation in a Music Group of Refugees, Asylum Seekers and Local Community Members (2019)The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s (2001)The Science of Harmonics in Classical Greece (2007)Dufay at Cambrai: Discoveries and Revisions (1975)How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century (1998)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Handbook of Emotions (1993)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)
this work references cited by second hop

References

  • 2019Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002)3,595 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1960A History of Western Music359 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 1942The History of Musical Instruments347 cited
  • 1996Text and act: essays on music and performance331 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 1988The New Harvard Dictionary of Music216 cited
  • 1943The rise of music in the ancient world, east and west177 cited
  • 1991Crusoe's Footprints: Cultural Studies in Britain and America157 cited
  • 1942Music in Western Civilization150 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1993Musicology as a Political Act138 cited
  • 2003The Harvard dictionary of music135 cited
  • n.d.Umfang, Methode und Ziel der Musikwissenschaft.127 cited

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