SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Swimming Upstream? Independent Musicians and Music Platform Imaginaries
16 references·0 citing·49 second hopsampled
Swimming Upstream? Independent Musicians and Music Platform Imaginaries (2025)Swimming Upstream? Independent Musicians …Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Streaming’s Effects on Music …Spotify and the democratisation of music (2021)Spotify and the democratisati…Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Platform pop: disentangling S…Music Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Locating Power in Platformiza…Algorithmic precarity in cultural work (2020)Algorithmic precarity in cult…SoundCloud and Bandcamp as Alternative Music Platforms (2019)SoundCloud and Bandcamp as Al…“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation (2019)“First Week Is Editorial, Sec…Why the Next Song Matters: Streaming, Recommendation, Scarcity (2018)Why the Next Song Matters: St…The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The platformization of cultur…The Platform Society (2018)The Platform SocietyAlgorithms as culture: Some tactics for the ethnography of algorithmic systems (2017)Algorithms as culture: Some t…The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms (2016)The algorithmic imaginary: ex…Selling Out: Musicians, Autonomy, and Compromise in the Digital Age (2016)Selling Out: Musicians, Auton…Want to be on the top? Algorithmic power and the threat of invisibility on Facebook (2012)Want to be on the top? Algori…Using thematic analysis in psychology (2006)Using thematic analysis in ps…Qualitative evaluation and research methods (1990)Qualitative Data Analysis: An Expanded Sourcebook (1994)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Older Adults' Reasons for Using Technology while Aging in Place (2015)Thematic Analysis (2017)Reflecting on reflexive thematic analysis (2019)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Framing: Toward Clarification of a Fractured Paradigm (1993)#Gamergate and The Fappening: How Reddit’s algorithm, governance, and culture support toxic technocultures (2015)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)The Hybrid Media System (2017)PHENOMENOLOGY OF PERCEPTION (1963)Phenomenology of Perception (1982)Cruel Optimism (2011)Improving Fairness in Machine Learning Systems (2019)Rise of Machine Agency: A Framework for Studying the Psychology of Human–AI Interaction (HAII) (2019)The Interpretation of Cultures (1974)Outline of a Theory of Practice (1977)Ethical Implications and Accountability of Algorithms (2018)THE PRACTICE OF EVERYDAY LIFE (2018)Where fairness fails: data, algorithms, and the limits of antidiscrimination discourse (2019)Platform Competition in Two-Sided Markets (2003)Bridging differing perspectives on technological platforms: Toward an integrative framework (2014)Selling Digital Music, Formatting Culture (2015)Platformisation (2019)What is platform governance? (2019)Disinformation as Political Communication (2020)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)"From the Native's Point of View": On the Nature of Anthropological Understanding (1974)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Why do people spread false information online? The effects of message and viewer characteristics on self-reported likelihood of sharing social media disinformation (2020)Algorithms of Resistance (2024)Reassembling the Social (2005)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Music streaming platforms and self-releasing musicians: the case of China (2021)The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming (2022)Capturing sound: how technology has changed music (2005)Updating to Remain the Same (2016)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)Algorithms at Work: The New Contested Terrain of Control (2019)Digitale Materialität (2021)‘Dysfunctional’ appeals and failures of algorithmic justice in Instagram and TikTok content moderation (2024)“The algorithm is like a mercurial god”: Exploring content creators’ perception of algorithmic agency on YouTube (2024)Airbnb: disruptive innovation and the rise of an informal tourism accommodation sector (2013)Datafication, dataism and dataveillance: Big Data between scientific paradigm and ideology (2014)Seeing without knowing: Limitations of the transparency ideal and its application to algorithmic accountability (2016)WeChat as infrastructure: the techno-nationalist shaping of Chinese digital platforms (2019)Social Media, Echo Chambers, and Political Polarization (2020)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 2006Using thematic analysis in psychology193,725 cited
  • 2018The Platform Society2,934 cited
  • 2018The platformization of cultural production: Theorizing the contingent cultural commodity1,526 cited
  • 2016The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms1,344 cited
  • 2012Want to be on the top? Algorithmic power and the threat of invisibility on Facebook1,301 cited
  • 2017Algorithms as culture: Some tactics for the ethnography of algorithmic systems1,010 cited
  • 2019“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation197 cited
  • 2020Locating Power in Platformization: Music Streaming Playlists and Curatorial Power175 cited
  • 2020Music Platforms and the Optimization of Culture153 cited
  • 2020Algorithmic precarity in cultural work130 cited
  • 2018Why the Next Song Matters: Streaming, Recommendation, Scarcity115 cited
  • 2019SoundCloud and Bandcamp as Alternative Music Platforms110 cited
  • 2016Selling Out: Musicians, Autonomy, and Compromise in the Digital Age99 cited
  • 2021Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications95 cited
  • 2020Platform pop: disentangling Spotify’s intermediary role in the music industry

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

88 cited
  • 2021Spotify and the democratisation of music64 cited
  • Cited by

    No citing works inside the corpus for this window.