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Uncovering the time-depth of rock art: seriation and agency in the case of Levantine rock art of eastern Iberia
16 references·0 citing·44 second hop
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References

  • 1998Art And Agency3,452 cited
  • 2006Time perspectives, palimpsests and the archaeology of time911 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2011Information Exchange amongst Hunter-Gatherers of the Western Desert of Australia78 cited
  • 2017Image Acts68 cited
  • 2014The colours of rock art. Analysis of colour recording and communication systems in rock art research57 cited
  • 2007Rock art as an archaeological and social indicator: The neolithisation of the Iberian Peninsula53 cited
  • 2014Digital image analysis based study, recording, and protection of painted rock art. Some Iberian experiences40 cited
  • 2016The White Shaman Mural32 cited
  • 2007Style v dans le bassin du Douro30 cited
  • 2020Unraveling rock art palimpsests through superimpositions: The definition of painting episodes in Los Toldos (southern Patagonia) as a baseline for chronology27 cited
  • 2020Dating Iberian prehistoric rock art: Methods, sampling, data, limits and interpretations22 cited
  • 2019From Top Down Under: New Insights into the Social Significance of Superimpositions in the Rock Art of Northern Kimberley, Australia20 cited
  • 2020A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art

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20 cited
  • 2022Rock Art and Memory in the Transmission of Cultural Knowledge17 cited
  • 2013Contemporary Meanings and the Recursive Nature of Rock Art: Dilemmas for a Purely Archaeological Understanding of Rock Art17 cited
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