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The origin of art has been an enduring issue in archaeology since the nineteenth century with many contending theories. While we are not concerned here with the origins of simple image-making (images consisting of patterned scratches or minimal representations), we would like to propose that one important reason for the elaboration and widespread use of more labor intensive and complex images--especially those requiring considerable time, effort, and training--may be the need for impressive images by traditional secret societies. We document such elaborations ethnographically and point out the inherent reasons for investing in them by secret societies. Beginning with complex hunter/gatherers, secret societies had the motivations, the resources, and the psychological insights to develop sophisticated art and architecture, resulting in some of the most impressive displays in prehistory. We use the remarkable petroglyph site of Thorsen Creek in British Columbia as a prime case study.
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