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Medieval Avatars
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Medieval Avatars (2026)Medieval AvatarsMedieval Anchorites in their Communities (2017)Medieval Anchorites in their …Generations of Feeling (2015)Generations of FeelingA Cultural History of the Senses in the Middle Ages (2014)A Cultural History of the Sen…Medieval Anchoritisms (2011)Medieval AnchoritismsImagination, Meditation, and Cognition in the Middle Ages (2011)Imagination, Meditation, and …Affective Meditation and the Invention of Medieval Compassion (2010)Affective Meditation and the …The Transformative Power of Performance (2008)The Transformative Power of P…Reading in the Wilderness (2007)Reading in the WildernessEMPATHETIC VISION: LOOKING AT AND WITH A PERFORMATIVE BYZANTINE MINIATURE (2007)EMPATHETIC VISION: LOOKING AT…What Did It Mean to Say "I Saw"? The Clash between Theory and Practice in Medieval Visionary Culture (2005)What Did It Mean to Say "I Sa…Preacher, Sermon and Audience in the Middle Ages (2002)Preacher, Sermon and Audience…Towards a History of European Physical Sensibility: Pain in the Later Middle Ages (1995)Towards a History of European…The Poet as Master Builder: Composition and Locational Memory in the Middle Ages (1993)The Poet as Master Builder: C…Genealogies of Religion (1993)Genealogies of ReligionVision: The Eye of the Body and the Eye of the Mind in Saint Augustine's "De trinitate" and "Confessions" (1983)Vision: The Eye of the Body a…Jesus as Mother (1982)Jesus as Mother“I Am Wholly Your Own”: Liturgical Piety and Community among the Nuns of Helfta (2009)Image, Text, and Religious Reform in Fifteenth-Century England (2010)The Cambridge Companion to Christian Mysticism (2012)The versions and revisions ofPiers Plowman (2014)Medieval Affects Now (2017)Medieval Affect, Feeling, and Emotion (2019)Anthropology and spirit possession: A reconsideration of the Pythia's role at Delphi (1995)Reformed literature and literature reformed (1999)The Emergence of a Scientific Culture (2006)Radical Worlds: The Anthropology of Incommensurability and Inconceivability (2001)Beyond the suffering subject: toward an anthropology of the good (2013)Spiritual But Not Religious? Beyond Binary Choices in the Study of Religion (2013)Reality and Fiction in Contemporary Theatre (2008)The Cambridge Companion to Opera Studies (2012)Improvisation in teaching and education—roots and applications (2016)The Sparham Corpse Panels: Unique Revelations of Death from Late Fifteenth-Century England (2010)Early Modern Reformations (2012)Introduction (2012)The History of Emotions: Past, Present, Future (2017)Emotion, Sense, Experience (2020)The Sixth Meditation: (2014)The Literariness of Literature and the History of Emotion (2015)Gender and Monastic Liturgy in the Latin West (High and Late Middle Ages) (2020)The Afterlife of St Cuthbert (2020)The Cambridge History of Medieval Monasticism in the Latin West (2020)Sensing and believing: exploring worlds of difference in pre-modern England: a contribution to the debate opened by Kate Giles (2007)
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References

  • 1993Genealogies of Religion3,468 cited
  • 2008The Transformative Power of Performance961 cited
  • 1982Jesus as Mother536 cited
  • 2010Affective Meditation and the Invention of Medieval Compassion334 cited
  • 2015Generations of Feeling198 cited
  • 2011Imagination, Meditation, and Cognition in the Middle Ages160 cited
  • 2007Reading in the Wilderness157 cited
  • 2005What Did It Mean to Say "I Saw"? The Clash between Theory and Practice in Medieval Visionary Culture129 cited
  • 2002Preacher, Sermon and Audience in the Middle Ages118 cited
  • 2011Medieval Anchoritisms82 cited
  • 1983Vision: The Eye of the Body and the Eye of the Mind in Saint Augustine's "De trinitate" and "Confessions"75 cited
  • 1993The Poet as Master Builder: Composition and Locational Memory in the Middle Ages73 cited
  • 2017Medieval Anchorites in their Communities73 cited
  • 2014A Cultural History of the Senses in the Middle Ages65 cited
  • 1995Towards a History of European Physical Sensibility: Pain in the Later Middle Ages56 cited
  • 2007EMPATHETIC VISION: LOOKING AT AND WITH A PERFORMATIVE BYZANTINE MINIATURE

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