SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Listening at Home and Beyond: Music Polymedia and Everyday Life
13 references·0 citing·43 second hop
Listening at Home and Beyond: Music Polymedia and Everyday Life (2025)Listening at Home and Beyond: Music Polym…Music Streaming around the World (2025)Music Streaming around the Wo…Algorithms of Resistance (2024)Algorithms of ResistanceStreaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Streaming’s Effects on Music …Popular Music, Technology, and the Changing Media Ecosystem (2020)Popular Music, Technology, an…Music Consumption and Technological Eclecticism: Investigating Generation Y’s Adoption and Uses of Music Technologies (2020)Music Consumption and Technol…Popular Music, Digital Technology and Society (2018)Popular Music, Digital Techno…What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)What the digitalisation of mu…Music Streaming the Everyday Life (2016)Music Streaming the Everyday …Consuming Music in the Digital Age (2016)Consuming Music in the Digita…Radio Audiences and Participation in the Age of Network Society (2014)Radio Audiences and Participa…Consuming Technologies (2003)Consuming TechnologiesDiary Methods: Capturing Life as it is Lived (2002)Diary Methods: Capturing Life…Music in Everyday Life (2000)Music in Everyday LifeThe Structure of Scientific Revolutions (1963)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Telling more than we can know: Verbal reports on mental processes. (1977)The CES-D Scale (1977)EQS : structural equations program manual (1989)Emotional experience improves with age: Evidence based on over 10 years of experience sampling. (2010)A resource perspective on the work–home interface: The work–home resources model. (2012)Facebook Use Predicts Declines in Subjective Well-Being in Young Adults (2013)The phenomenology of the social world (1967)The Phenomenology of the Social World. (1968)Researching Lived Experience: Human Science for an Action Sensitive Pedagogy (1990)Digital Music Distribution: The Sociology of Online Music Streams (2019)Freedom of choice: Examining music listening as a function of favorite music format. (2020)Motivations in the adoption and conversion of freemium services: insights for digital entrepreneurship (2024)Television: Technology and Cultural Form (1974)The Audible Past (2003)Communication Power (2009)From creator to data: the post-record music industry and the digital conglomerates (2018)“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation (2019)Is music streaming bad for musicians? Problems of evidence and argument (2020)Social Acceleration (2013)Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music (2022)How does involvement build loyalty towards music-streaming platforms? A multi-analytical SEM-ANN technique (2022)Sounds like meritocracy to my ears: exploring the link between inequality in popular music and personal culture (2022)The Constitution of Society. Outline of the Theory of Structuration (1984)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis (2006)Moving beyond conventional resistance and resistors: an integrative review of employee resistance to digital transformation (2024)Conceptualising the ‘algorithmic public opinion’: Public opinion formation in the digital age (2025)Oscillation Between Resist and to Not? Users’ Folk Theories and Resistance to Algorithmic Curation on Douyin (2025)Club cultures: music, media and subcultural capital (1996)Beyond ‘women and transport’: towards new geographies of gender and daily mobility (1999)Theorising media as practice (2004)Music in advertising and consumer identity (2017)Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify (2019)The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction (2021)The need for not more, but more socially relevant audience participation in public service media (2018)A “segunda era” do podcasting: reenquadrando o podcasting como um novo meio digital massivo (2020)Audio communication in the face of the renaissance of digital audio (2022)
this work references cited by second hop

References

  • 2002Diary Methods: Capturing Life as it is Lived3,834 cited
  • 2000Music in Everyday Life2,715 cited
  • 2003Consuming Technologies964 cited
  • 2024Algorithms of Resistance208 cited
  • 2017What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector145 cited
  • 2021Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications106 cited
  • 2018Popular Music, Digital Technology and Society101 cited
  • 2016Consuming Music in the Digital Age67 cited
  • 2014Radio Audiences and Participation in the Age of Network Society46 cited
  • 2016Music Streaming the Everyday Life20 cited
  • 2020Music Consumption and Technological Eclecticism: Investigating Generation Y’s Adoption and Uses of Music Technologies13 cited
  • 2020Popular Music, Technology, and the Changing Media Ecosystem10 cited
  • 2025Music Streaming around the World9 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work