SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Chapter 14 Pigment identification in illuminated manuscripts
16 references·0 citing·30 second hop
Chapter 14 Pigment identification in illuminated manuscripts (2004)Chapter 14 Pigment identification in illu…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics (2001)Non‐destructive analysis of p…Spectroscopic Examination of Two Egyptian Masks: A Combined Method Approach (2000)Spectroscopic Examination of …Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy (1999)Pigment investigation of a la…Pigment analysis of portrait miniatures using Raman microscopy (1999)Pigment analysis of portrait …Minium; FT-Raman non-destructive analysis applied to an historical controversy (1999)Minium; FT-Raman non-destruct…Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry (1999)Investigation of pigments in …An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France (1999)An initial Raman microscopic …Microanalysis of old violin varnishes by total-reflection X-ray fluorescence (1997)Microanalysis of old violin v…Critical ReviewApplications of Chromatography in Art Conservation: Techniques Used for the Analysis and Identification of Proteinaceous and Gum Binding Media (1997)Critical ReviewApplications o…Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Synthesis, structural charact…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy: application…Galileo's writings: chronology by PIXE (1995)Galileo's writings: chronolog…Analytical characterization of artists' pigments used in old and modern paintings by total-reflection X-ray fluorescence (1993)Analytical characterization o…The library of Raphael de Marcatellis, abbot of St. Bavon's, Ghent, 1437-1508 (1979)The library of Raphael de Mar…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc (2008)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Trace element characterization of ochre from geological sources (2007)The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)Modern analytical methods in art and archaeology (2000)An extensive colour palette in Roman villas in Burgos, Northern Spain: a Raman spectroscopic analysis (2004)Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts (2004)Non-destructive analysis of museum objects by fibre-optic Raman spectroscopy (2006)The Organic Chemistry of Museum Objects (1988)Raman microscopy in archaeological science (2004)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Pigment identification by spectroscopic means: an arts/science interface (2002)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Micro‐Raman characterizations of Pompei'smortars (2008)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)A study of medieval illuminated manuscripts by means of portable Raman equipments (2006)The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus (2011)Identification of Dyes on Ancient Chinese Paper Samples Using the Subtracted Shifted Raman Spectroscopy Method (1999)Ochre decor and cinnabar residues in Neolithic pottery from Vinča, Serbia (2004)Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century (2006)The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques (2006)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)
this work references cited by second hop

References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 1995Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts142 cited
  • 1999An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France133 cited
  • 1999Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry101 cited
  • 1999Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy73 cited
  • 2001Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics72 cited
  • 1999Minium; FT-Raman non-destructive analysis applied to an historical controversy65 cited
  • 1999Pigment analysis of portrait miniatures using Raman microscopy65 cited
  • 1995Galileo's writings: chronology by PIXE54 cited
  • 1993Analytical characterization of artists' pigments used in old and modern paintings by total-reflection X-ray fluorescence52 cited
  • 1997Critical ReviewApplications of Chromatography in Art Conservation: Techniques Used for the Analysis and Identification of Proteinaceous and Gum Binding Media

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

43 cited
  • 2000Spectroscopic Examination of Two Egyptian Masks: A Combined Method Approach42 cited
  • 1997Microanalysis of old violin varnishes by total-reflection X-ray fluorescence35 cited
  • 1979The library of Raphael de Marcatellis, abbot of St. Bavon's, Ghent, 1437-150831 cited
  • Cited by

    No citing works inside the corpus for this window.