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Grinding Charcoal for Rock Painting: A Methodological Framework for Particle-Size Analysis in Rock Art Micro-Samples
16 references·0 citing·38 second hop
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References

  • 2008Introduction to experimental archaeology175 cited
  • 1983The Characterization of Pigments Based on Carbon115 cited
  • 2011A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa111 cited
  • 2016The technology of the earliest European cave paintings: El Castillo Cave, Spain93 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2010Identifying grinding, scoring and rubbing use-wear on experimental ochre pieces88 cited
  • 2021Characterizing the pigments and paints of prehistoric artists81 cited
  • 2016Middle Stone Age Ochre Processing and Behavioural Complexity in the Horn of Africa: Evidence from Porc-Epic Cave, Dire Dawa, Ethiopia74 cited
  • 1999The nature of experiment in archaeology74 cited
  • 2017Patterns of change and continuity in ochre use during the late Middle Stone Age of the Horn of Africa: The Porc-Epic Cave record70 cited
  • 2021The archaeometry of ochre sensu lato: A review68 cited
  • 2017Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire56 cited
  • 2017How people used ochre at Rose Cottage Cave, South Africa: Sixty thousand years of evidence from the Middle Stone Age52 cited

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  • 2004Analysis of ochres from Clearwell Caves: the role of particle size in determining colour51 cited
  • 2016Micro-spectroscopic analysis of pigments and carbonization layers on prehispanic rock art at the Oyola's caves, Argentina, using a stratigraphic approach45 cited
  • 2020Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America34 cited
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