Spearthrower Owl Hill: A Toponym at Atetelco, Teotihuacan

Abstract

The important Classic period site of Teotihuacan is renowned for its great size, ancient influence, and intricately decorated polychrome murals. The latter are the focus of the present study, in particular the unique landscape scene from Murals 2 and 3 from Portico 1 of the North Patio of the Atetelco residential compound that depicts a row of toponymic hill signs. The three hills have identical qualifying elements embedded, identified as combinations of an owl and a spearthrower. The murals thus make a repeated reference to a place named “Spearthrower Owl Hill.” The dating of the murals to the Early Xolalpan phase (ca. A.D. 350–450) makes them contemporary with the so-called Teotihuacan entrada into the Maya lowland sites such as Tikal, where hieroglyphic texts make mention of a Teotihuacan-affiliated individual known as “Spearthrower Owl.” From these findings—and based on Mesoamerican naming practices—we go on to suggest that the Atetelco toponym and the historical individual share the name of a common forebear, possibly that of a previously unidentified Teotihuacan martial patron deity. As such, the Early Classic Teotihuacan “Spearthrower Owl” deity has much in common with the legendary Huitzilopochtli of the Late Postclassic Mexica. Our reexamination of the murals from Atetelco shows the enormous potential that further studies in Teotihuacan writing and iconography still have for our understanding of the history and religion of this major Mesoamerican site.

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