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Virtual Theatres: An Introduction
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  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2006A history of virtual reality in performance63 cited
  • 2010Connecting Art and Science for Education: Learning through an Advanced Virtual Theater with “Talking Heads”36 cited
  • 2006Becoming-Animate: On the Performed Limits of "Human"20 cited
  • 2019The Tempest de William Shakespeare, dirigida por Gregory Doran (Royal Shakespeare Company, 2016-2017). Dialéctica entre tecnología virtual y corporalidad15 cited
  • 2010Performing Phenomenology: Negotiating Presence in Intermedial Theatre13 cited
  • 2010Next Up Downtown: A New Generation of Ensemble Performance11 cited
  • 2018‘Imagineering’ mixed reality (MR) immersive experiences in the postdigital revolution: innovation, collectivity, participation and ethics in staging experiments as performances10 cited
  • 2018Conceptualising digital technology integration in participatory theatre from a sociomaterialist perspective: ways forward for research10 cited
  • 2014Id/entity and performance: a new living work of art9 cited
  • 2018VR and the dramatic theatre: are they fellow creatures?9 cited
  • 2015Performing with robots: embodiment, context and vulnerability relations8 cited
  • 2006The Threshold of the real: A Site for Participatory Resistance in Blast Theory’s Uncle Roy All Around You (2003)

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8 cited
  • 2011Pictures at an exhibition7 cited
  • 2017Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities6 cited
  • 2020The expansion of scenography in virtual reality theatre: investigating the potential of double scenography in Makropol’s Anthropia6 cited