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Developing Cultural Industries: Learning from the Palimpsest of Practice
16 references·6 citing·32 second hop
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References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 2009Development as Freedom15,837 cited
  • 1970Exit, Voice and Loyalty: Responses to Decline in Firms, Organizations, and States.11,189 cited
  • 2020A Brief History of Neoliberalism9,074 cited
  • 1983Ethnography: Principles and Practice7,740 cited
  • 1977Keywords: A Vocabulary of Culture and Society6,815 cited
  • 2020Dialectic of Enlightenment5,765 cited
  • 1995Encountering development: the making and unmaking of the Third World5,461 cited
  • 1995Encountering Development: The Making and Unmaking of the Third World.5,455 cited
  • 1982Poverty and Famines: An Essay on Entitlement and Deprivation.4,907 cited
  • 2002The Rise of the Creative Class4,527 cited
  • 2013The dynamics of crowdfunding: An exploratory study4,256 cited
  • 2007COLONIALITY AND MODERNITY/RATIONALITY3,742 cited
  • 2000Globalization: Social Theory and Global Culture3,538 cited
  • 1973Informal Income Opportunities and Urban Employment in Ghana

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3,221 cited

Cited by

  • 2016Global Law and Sustainable Development: Change and the “Developing–Developed Country” Terminology17 cited
  • 2025Rethinking the contribution of creative economies in Africa to sustainable development. An empirical research of creative intermediaries in Accra’s contemporary art sector11 cited
  • 2022Assessing the potential of the craft sector’s contribution to employment and gross domestic product in South Africa8 cited
  • 2022Creative Approach to Development: Leveraging the Sino-African Belt and Road Initiatives to Boost Africa’s Cultural and Creative Industries for Africa’s Development7 cited
  • 2020The Role of Creative Industries in Economic Development: The Human Factor Development Approach7 cited
  • 2016Studio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats5 cited