The New Red Negro: The Literary Left and African-American Poetry, 1930-1946

Abstract

Introduction: Of the Coming of the New Red Negro 1: African-American Poetry, Ideology, and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond 2: Strong Men Gittin' Stronger: Sterling Brown and the Representation and Re-creation of the Southern Folk Voice 3: Adventures of a Social Poet: Langston Hughes in the 1930s 4: Am Black and I Have Seen Black Hands: The Narratorial Consciousness and Constructions of the Folk in 1930s African-American Poetry 5: Hughes's Shakespeare in Harlem and the Rise of a Popular Neomodernism 6: Hysterical Ties: Gwendolyn Brooks and the Rise of a High Neomodernism 7: The Popular Front, World War II, and the Rise of Neomodernism in African-American Poetry of the 1940s Conclusion: Sullen Bakeries of Total Recall Notes Works Consulted Index

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 44 citations exist upstream.