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Physics, Machines and Musical Pedagogy in Nineteenth-Century Germany
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Physics, Machines and Musical Pedagogy in Nineteenth-Century Germany (2004)Physics, Machines and Musical Pedagogy in…Masters of Theory: Cambridge and the Rise of Mathematical Physics (2004)Masters of Theory: Cambridge …The Cambridge history of nineteenth-century music (2002)The Cambridge history of nine…The profession of music (2001)The profession of musicThe invention of tradition (2001)The invention of traditionMusical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Spectrum of Belief (2000)Spectrum of BeliefCrescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution (2000)Crescendo of the Virtuoso: Sp…Science incarnate: historical embodiments of natural knowledge (1998)Science incarnate: historical…Memory, Efficiency, and Symbolic Analysis: Charles Babbage, John Herschel, and the Industrial Mind (1996)Memory, Efficiency, and Symbo…Babbage's Intelligence: Calculating Engines and the Factory System (1994)Babbage's Intelligence: Calcu…A. B. Marx, Berlin Concert Life, and German National Identity (1994)A. B. Marx, Berlin Concert Li…A Social History of Truth (1994)A Social History of TruthViolin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries (1987)Violin Technique and Performa…Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (1976)Music and the Middle Class: T…Versuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Men, Women and Pianos; A Social History (1955)Men, Women and Pianos; A Soci…Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Qualitative insights into the use of expressive body movement in solo piano performance: a case study approach (2007)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)The Politics of Technology: On Bringing Social Theory into Technological Design (1998)Economic markets as calculative collective devices (2005)The Practice Turn in Contemporary Theory (2005)Listening through Reading: Musical Literacy and the Concert Audience (1992)The Cambridge Urban History of Britain (2000)Urban growth and economic change: from the late seventeenth century to 1841 (2000)Beethoven 1806 (2019)Writing about Popular Music (2019)The Cambridge Companion to the Eroica Symphony (2020)Practice theory (2007)“A dedicated missionary”. Charles Galton Darwin and the new quantum mechanics in Britain (2009)Fresnel's laws, ceteris paribus (2017)Knowledge in a Social World (1999)Epistemic Injustice (2007)Epistemic Vigilance (2010)Comprehension, Apprehension, Prehension: Heterogeneity and the Public Understanding of Science (2002)The Sounds of Science: Listening to Laboratory Practice (2005)Introduction (2013)The Cambridge History of American Music (1998)The power of a musical instrument: Franklin, the Mozarts, Mesmer, and the glass armonica. (2000)From Paris to Peoria (2003)Action and Agency Revisited (2013)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Enacting Musical Time (2019)
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References

  • 1994A Social History of Truth1,931 cited
  • 2001Musical MeaningToward a Critical History281 cited
  • 1969Versuch einer Anleitung zur Composition242 cited
  • 1955Men, Women and Pianos; A Social History192 cited
  • 1976Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna177 cited
  • 1994Babbage's Intelligence: Calculating Engines and the Factory System171 cited
  • 1998Science incarnate: historical embodiments of natural knowledge153 cited
  • 2004Masters of Theory: Cambridge and the Rise of Mathematical Physics144 cited
  • 1987Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries140 cited
  • 2002The Cambridge history of nineteenth-century music137 cited
  • 2000Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution102 cited
  • 1994A. B. Marx, Berlin Concert Life, and German National Identity85 cited
  • 2000Spectrum of Belief78 cited
  • 1996Memory, Efficiency, and Symbolic Analysis: Charles Babbage, John Herschel, and the Industrial Mind50 cited
  • 2001The invention of tradition32 cited

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The profession of music
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