Seductive Pleasures, Eluding Subjectivities: Some Thoughts on Dangdut’s Ambiguous Identity

Abstract

workshop 'Southeast Asian Pop Music in a Comparative Perspective'; it was slightly updated and partly revised in early 2013.I am grateful to Bart Barendregt and Jan van der Putten for their helpful comments on earlier versions of this chapter.Its remaining shortcomings are of course wholly mine.2 In the words of former State Ministry Moerdiono, cited in Simatupang (1996:58).3 See, for example, the interview with senior female singer Camelia Malik (2000).4 Kampung means village or a poor, semi-rural village-like area in a town or city.

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