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Bury me deep in isolation: A cultural examination of a peripheral music industry and scene
1 references·6 citing·22 second hop
Bury me deep in isolation: A cultural examination of a peripheral music industry and scene (2013)Bury me deep in isolation: A cultural exa…Noise, the Political Economy of Music (1989)Noise, the Political Economy …You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia (2021)You Get to Know the Scene Ins…How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic (2021)How the Central Sydney indepe…Caught in the act: the impact of liquor regulation on original live music activity in Perth, Western Australia (2020)Caught in the act: the impact…From Snake Pits to Ballrooms: class, race and early rock’n’roll in Perth (2017)From Snake Pits to Ballrooms:…Live music, liquor and the city: An examination of the influence of liquor regulation on place-specific live music activity (2016)Live music, liquor and the ci…Sleepy township: Perth indie rock in the 1990s (2015)Sleepy township: Perth indie …Art into Pop (1987)Subcultural identity in alternative music culture (1993)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Archaeology, Heritage and Performance in the Perth Popular Music Scene (2019)Audio identity in branding and brand communication strategy: a systematic review of the literature on audio branding (2022)The Cultural Economy of Cities (1997)The creative city: A toolkit for urban innovators (2001)Case study research: design and methods (2011)Inventing Australia: Images and Identity, 1688-1980 (1981)From White Australia to Woomera (2007)Subculture (2010)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Creative City (2012)Music Scenes (2004)Research Design: Qualitative, Quantitative, and Mixed Method Approaches (2016)A Uses and Gratifications Approach to Examining Lo-Fi Music Genre Popularity among Indian Gen Z during the COVID-19 Pandemic (2025)Placing the Creative Economy: Scale, Politics, and the Material (2006)The life cycle of New York’s creative districts: Reflections on the unanticipated consequences of unplanned cultural zones (2011)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 1989Noise, the Political Economy of Music710 cited

Cited by

  • 2021How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic8 cited
  • 2015Sleepy township: Perth indie rock in the 1990s4 cited
  • 2017From Snake Pits to Ballrooms: class, race and early rock’n’roll in Perth4 cited
  • 2016Live music, liquor and the city: An examination of the influence of liquor regulation on place-specific live music activity4 cited
  • 2020Caught in the act: the impact of liquor regulation on original live music activity in Perth, Western Australia4 cited
  • 2021You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia3 cited

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