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Identification of the Camelid Woman and Feline Man Themes, Motifs, and Designs in Pucara Style Pottery

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References

2000Through the Glass Darkly: Prehispanic Obsidian Procurement and Exchange in Southern Peru and Northern Bolivia156 cited
1983PUCARA AND TIAHUANACO TAPESTRY: TIME AND STYLE IN A SIERRA WEAVING TRADITION80 cited
1975A CARVED STELA FROM TARACO, PUNO, PERU, AND THE DEFINITION OF AN EARLY STYLE OF STONE SCULPTURE FROM THE ALTIPLANO OF PERU AND BOLIVIA65 cited
1976Moche Art and Iconography62 cited
1988The significance of Chiripa in Lake Titicaca Basin Developments59 cited
1988Archaeological Reconnaissance in the Province of Chumbivilcas, South Highland Peru53 cited
1978FEMALE SUPERNATURALS IN ANCIENT PERU34 cited

Cited by

2019The Tiwanaku Camelid Sacrificer: origins and transformations of animal iconography in the context of Middle Horizon (A.D. 400–1100) state expansion11 cited
2015Incipient urbanism at the Early Andean center of Khonkho Wankane, Bolivia9 cited
2004Cultural Evolution in the Lake Titicaca Basin: Empirical Facts and Theoretical Expectations9 cited
2006When and Where Did the Nasca Proliferous Style Emerge?8 cited

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