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Kaiso!: writings by and about Katherine Dunham
0 references·13 citing·45 second hop
Kaiso!: writings by and about Katherine Dunham (2006)Kaiso!: writings by and about Katherine D…The Role of the Djembefola in Indigenous Dance Education: Decolonial Revelations in Guinea, West Africa (2021)The Role of the Djembefola in…Stories of West African and House Dance Pedagogies: 4E Cognition Meet Rhythmic Virtuosity (2021)Stories of West African and H…Race, SIGNS, and the Body (2020)Race, SIGNS, and the BodyPerforming an Afro-Brazilian archetype: Transnational stage and celluloid representations of the black baiana (2020)Performing an Afro-Brazilian …Finding Afro-Mexico (2020)Finding Afro-MexicoChoreography Invisible (2020)Choreography InvisibleReading gesture: Katherine Dunham, the Dunham Technique, and the vocabulary of dance as decolonizing archival praxis (2019)Reading gesture: Katherine Du…Dancing the World Smaller (2019)Dancing the World SmallerPlantation, Archive, Stage: Trans(post)colonial Intimations in Katherine Dunham’sL’Ag’yaandLittle Black Sambo (2015)Plantation, Archive, Stage: T…Dancing with Social Ghosts: Performing Embodiments, Analyzing Critically (2013)Dancing with Social Ghosts: P…Facing and Transforming Hauntings of Race Through the Arts (2011)Facing and Transforming Haunt…Bridging the Black Hole of Trauma: The Evolutionary Significance of the Arts Part 2: The Arts and Evolution - What is Art For? (2011)Bridging the Black Hole of Tr…Anthropology with an agenda: four forgotten dance anthropologists (2010)Anthropology with an agenda: …Shades of Black: Diversity in African-American identity (1994)Ghostly Matters: Haunting and the Sociological Imagination (1999)Loss: The Politics of Mourning (2003)How Do We Quote Black and Brown Bodies? Critical Reflections on Theorizing and Analyzing Embodiments (2013)Sacred Slaves: Tchamba Vodu in Southern Togo (2016)Dancing the Word: (2018)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Handbook of Qualitative Research (1994)Building bridges for dance through arts-based research (2017)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)The Black Jacobins. Toussaint L'Ouverture and the San Domingo Revolution. (1940)Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (1998)Necropolitics (2003)Decolonizing time through dance with Kwenda Lima: Cabo Verde, creolization, and affiliative afromodernity (2018)“From Angola to the world”, from the world to Lisbon and Paris: How structural inequalities shaped the global kizomba dance industry (2019)Creolization as balancing act in the transoceanic quadrille: Choreogenesis, incorporation, memory, market (2020)Between Memory and History: Les Lieux de Memoire (1989)The Archive and the Repertoire (2003)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Posters with Glitter Issues: Exploring Archival (W)holes at the Newberry Library (2021)‘These are not just pieces of paper’: Acknowledging grief and other emotions in pursuit of person-centered archives (2022)Introducing the legacies and trajectories of trauma to the archival field (2024)Problems of Dostoevsky's Poetics (1984)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics [1989] (2018)“Kom Khoi San, kry trug jou land”: Disrupting White Settler Colonial Logics of Language, Race, and Land with Afrikaaps (2021)Affect in sociolinguistic style (2021)Introduction: Language and White Supremacy (2021)The practice of mind: Theory, simulation or primary interaction? (2001)Effects of hatha yoga and african dance on perceived stress, affect, and salivary cortisol (2004)Introduction: Critical Methodologies and Indigenous Inquiry (2008)Decolonising the Mind: The Politics of Language in African Literature (1987)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)The Black Atlantic: Modernity and Double Consciousness (1994)Against Race: Imagining Political Culture beyond the Color Line (2001)Ontological Relativity and Other Essays (1969)Making it explicit : reasoning, representing, and discursive commitment (1994)Oxford Dictionary of English (2010)An Ontology of Multiple Artworks (2024)Outline of a Theory of Practice (1977)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Mis-step as Global Encounter: The American Dance Festival in Reform Era China (2022)Kinesthetic Peoplehood (2026)
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Cited by

  • 2020Race, SIGNS, and the Body88 cited
  • 2020Choreography Invisible48 cited
  • 2020Finding Afro-Mexico34 cited
  • 2015Plantation, Archive, Stage: Trans(post)colonial Intimations in Katherine Dunham’sL’Ag’yaandLittle Black Sambo22 cited
  • 2019Dancing the World Smaller20 cited
  • 2013Dancing with Social Ghosts: Performing Embodiments, Analyzing Critically19 cited
  • 2019Reading gesture: Katherine Dunham, the Dunham Technique, and the vocabulary of dance as decolonizing archival praxis17 cited
  • 2011Facing and Transforming Hauntings of Race Through the Arts8 cited
  • 2021The Role of the Djembefola in Indigenous Dance Education: Decolonial Revelations in Guinea, West Africa5 cited
  • 2021Stories of West African and House Dance Pedagogies: 4E Cognition Meet Rhythmic Virtuosity4 cited
  • 2010Anthropology with an agenda: four forgotten dance anthropologists4 cited
  • 2011Bridging the Black Hole of Trauma: The Evolutionary Significance of the Arts Part 2: The Arts and Evolution - What is Art For?3 cited
  • 2020Performing an Afro-Brazilian archetype: Transnational stage and celluloid representations of the black baiana3 cited

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