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Immersive theatres: intimacy and immediacy in contemporary performance
0 references·16 citing·49 second hop
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(1998)The Participatory Museum (2010)Augmented reality, virtual reality and 3D printing for the co-creation of value for the visitor experience at cultural heritage places (2017)Immersive Applications in Museums: An Analysis of the Use of XR Technologies and the Provided Functionality Based on Systematic Literature Review (2022)Exploring relations among authentic tourism experience, experience quality, and tourist behaviours in phygital heritage with experimental design (2023)Exploring the role of immersive technology in digitally representing contemporary crafts within hybrid museum exhibitions: a scoping review (2024)Steps to an Ecology of Mind (1973)Laboratory Life: The Construction of Scientific Facts (1986)Meeting the Universe Halfway (2007)Samuel Beckett's Geological Imagination (2020)Samuel Beckett and Cultural Nationalism (2021)Absorption and Theatricality (2022)Understanding Media: The Extensions of Man (1964)Gender Trouble: Feminism and the Subversion of Identity (1991)How We Became Posthuman (1999)“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016) (2019)Viral Shakespeare (2021)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE (2005)Performing Epic or Telling Tales (2020)
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  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2014Narcissistic Spectatorship in Immersive and One-on-One Performance56 cited
  • 2016Missing in Action: Embodied Experience and Virtual Reality56 cited
  • 2019Postdramatic Tragedies45 cited
  • 2013Current Trends in Contemporary Choreography: A Political Critique23 cited
  • 2019Immersive experiences in museums, galleries and heritage sites: a review of research findings and issues21 cited
  • 2016A good day out: applied theatre, relationality and participation21 cited
  • 2017Interactive, Immersive, Original Shakespeare20 cited
  • 2020Experimental Beckett19 cited
  • 2017"Intimacy" at the Sam Wanamaker Playhouse18 cited
  • 2017Introduction: Risky Aesthetics, Critical Vulnerabilities, and Edgeplay: Tactical Performances of the Unknown13 cited
  • 2020Shakespeare, Technicity, Theatre12 cited
  • 2021The 360° Gaze11 cited
  • 2022Science & Theatre: Communicating Science and Technology with Performing Arts10 cited
  • 2018Conceptualising digital technology integration in participatory theatre from a sociomaterialist perspective: ways forward for research

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10 cited
  • 2018Gaming the Stage9 cited