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Black Soundscapes White Stages: The Meaning of Francophone Sound in the Black Atlantic
16 references·1 citing·30 second hop
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this work references cited by second hop

References

  • 1993Imperial Eyes: Travel Writing and Transculturation.4,974 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2004In the Break: The Aesthetics of the Black Radical Tradition2,968 cited
  • 1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
  • 1996Colonial Desire: Hybridity in Theory, Culture and Race.2,395 cited
  • 1954The Technological Society1,822 cited
  • 2000Embracing Defeat: Japan in the Wake of World War II1,428 cited
  • 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
  • 2003The practice of diaspora: literature, translation, and the rise of black internationalism1,095 cited
  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 2000Music and the racial imagination629 cited
  • 1993On Human Diversity: Nationalism, Racism, and Exoticism in French Thought605 cited
  • 2006Phonographies: grooves in sonic Afro-modernity536 cited
  • 1983How Capitalism Underdeveloped Black America: Problems in Race, Political Economy and Society460 cited

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  • 1996Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture352 cited
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    • 2014Engendering Phonographies: Sonic Technologies of Blackness48 cited