Emotion, Ethics, and Rhetorical Action

Abstract

Recent composition scholarship has articulated ethics through a postmodern framework. Scholars have challenged readings that concep tualize ethics as foundational, static, and objective criteria for good actions. They have done so by recognizing ethics as a contingent set of practices that are always in process, localized, and based on principles of difference. The value of this work for our field lies in its efforts to re

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