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The cinema of Michael Bay:an aesthetic of excess
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The cinema of Michael Bay:an aesthetic of excess (2015)The cinema of Michael Bay:an aesthetic of…15. The Death of the Author (2017)15. The Death of the AuthorPost-Cinematic Affect (2016)Post-Cinematic AffectClassical Hollywood Comedy (2013)Classical Hollywood Comedy:Neo-Baroque Aesthetics and Contemporary Entertainment (2005):Neo-Baroque Aesthetics and C…The Cinema Effect (2004)The Cinema EffectIrony, nihilism and the new American 'smart' film (2002)Irony, nihilism and the new A…Intensified Continuity Visual Style in Contemporary American Film (2002)Intensified Continuity Visual…Planet Hong Kong: popular cinema and the art of entertainment (2000)Planet Hong Kong: popular cin…Towards an Analysis of the Sirkian System (1972)Towards an Analysis of the Si…Distanciation and Douglas Sirk (1971)Distanciation and Douglas SirkPicturizing science (2006)Accounting and everyday life: towards a cultural context for accounting research (2009)Cinema 3.0: The Interactive-Image (2010)A ‘Manual on Masculinity’? The Consumption and Use of Mediated Images of Masculinity among Teenage Boys in Ireland (2005)Wes Anderson, tone and the quirky sensibility (2011)Formen und Funktionen von Genrebenennungen (2020)Narrative Complexity in Contemporary American Television (2006)The bone in the throat: some uncertain thoughts on baroque method (2006)Transmedia Project Design: Theoretical and Analytical Considerations (2013)Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)Approaching media industries comparatively: A case study of streaming (2018)Detecting mental fatigue from eye-tracking data gathered while watching video: Evaluation in younger and older adults (2018)"What's the Matter with Sara Jane?": Daughters and Mothers in Douglas Sirk's "Imitation of Life" (1987)Postmodern Texts and Emotional Audiences (2007)Prime Time Soap Operas on Indian Television (2020)As Kamp As Bree (2006)The Sound of Film Acting (2006)Introduction: gesture in film (2015)Postmodernism and the Social Sciences (1992)Television, Audiences and Cultural Studies (2003)Precarity as a Political Concept, or, Fordism as Exception (2008)All Dressed Up But No Place to Go? (1995)Commodity Lesbianism (1995)A Foreign Affair : Billy Wilder's American Films (2008)Culture, communication, and the challenge of globalization (2002)Cultural Discount and Cross-Culture Predictability: Examining the Box Office Performance of American Movies in Hong Kong (2006)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)Attention, Videogames and the Retentional Economies of Affective Amplification (2012)Introduction: Has the Queer Ever Been Human? (2015)“We are change”: The Novum as Event in Nnedi Okorafor’sLagoon (2016)
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References

  • 201715. The Death of the Author1,426 cited
  • 2002Intensified Continuity Visual Style in Contemporary American Film362 cited
  • 2000Planet Hong Kong: popular cinema and the art of entertainment307 cited
  • 2016Post-Cinematic Affect198 cited
  • 2002Irony, nihilism and the new American 'smart' film121 cited
  • 2004The Cinema Effect109 cited
  • 2005:Neo-Baroque Aesthetics and Contemporary Entertainment85 cited
  • 1971Distanciation and Douglas Sirk61 cited
  • 1972Towards an Analysis of the Sirkian System56 cited
  • 2013Classical Hollywood Comedy36 cited

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