DISJUNCTIVE CIRCLES: MODERN INTELLECTUAL CULTURE IN CUZCO AND THE JOURNEYS OF INCAN ANTIQUITIES,C.1877–1921

Abstract

This essay explores the journeys of Andean pre-Columbian antiquities across the Americas and the Atlantic during the late nineteenth century along the veins of intellectual networks, between Andean communities and European, North American and Creole collectors and museums. Centred on the studies and collection of José Lucas Caparó Muñíz, the essay focuses on the Creole and European practice of lifting pre-Columbian objects preserved or “still” in use in Andean communities out of their context and taking them to European and Creole private and public collections. Intellectual history has long paid scant attention to the many voices that its authors silenced, disfigured and suppressed. By looking at the journeys of Andean artefacts—at their owners, their brokers and their losers—this erssay traces the systemic hierarchies and the chasms of an expanding modern intellectual culture.

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