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Mirrors and Shadows: The Digital Aestheticisation of Oneself
6 references·3 citing·31 second hop
Mirrors and Shadows: The Digital Aestheticisation of Oneself (2005)Mirrors and Shadows: The Digital Aestheti…Seeing Ourselves: Women's Self-Portraits (2002)Seeing Ourselves: Women's Sel…Modern Criticism and Theory: A Reader (1991)Modern Criticism and Theory: …Herself beheld: the literature of the looking glass (1989)Herself beheld: the literatur…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Reading Process: A Phenomenological Approach (1972)The Reading Process: A Phenom…The Magic Toyshop (1967)The Magic ToyshopCoalescing the mirror and the screen: consuming the ‘self’ online (2016)Coalescing the mirror and the…On the Slope Is on the Screen (2012)On the Slope Is on the ScreenThe political subject of blogs (2008)The political subject of blogsHegemony and Socialist Strategy (1985)The Power of Identity (2002)The structural transformation of the public sphere (2006)“Protest is Just a Click Away!” Responses to the 2003 Iraq War on a Bulletin Board System in China (2011)Blogging in the Shadow of Parties: Exploring Ideological Differences in Online Campaigning (2013)MPs and the Internet – An Empirically Based Typology (2014)Professional Vision (1994)Toward a Theory of Social Practices (2002)The Benefits of Facebook “Friends:” Social Capital and College Students’ Use of Online Social Network Sites (2007)It’s not what you eat but how and that you eat: Social media, counter-discourses and disciplined ingestion among amateur competitive eaters (2014)Co‐creation and New Media: The Entrepreneurial Work of Climbing Photographers in Digital Times (2015)‘I shared the joy’: sport-related social support and communality on Instagram (2020)Life on the Screen: Identity in the Age of the Internet (1997)The Language of New Media (2002)Gender as Performance: Questioning the 'Butlerification' of Angela Carter's fiction (2002)Behind Locked Doors: Angela Carter, Horror and the Influence of Edgar Allan Poe (2006)The Private Uses of Quiet Grandeur: A Meditation on Literary Pilgrimage (2009)Whirling Stories: Postsocialist Feminist Imaginaries and the Visual Arts (2013)Piecing together creativity: feminist aesthetics and the crafting of quilts (2014)Meetings of minds: Dialogue, sympathy, and identification, in reading fiction (1999)The Cambridge history of early Christian literature (2005)Reading for Learning (2014)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Within-Case and Across-Case Approaches to Qualitative Data Analysis (2003)Social Movements And Culture (2010)The Sociology of Storytelling (2011)A Conceptualization of Motives to Seek Privacy for Nondeviant Consumption (1992)The Nazi Eye Code of Falling in Love (1998)Ovid's Lovers: Desire, Difference and the Poetic Imagination (2006)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1972The Reading Process: A Phenomenological Approach681 cited
  • 1991Modern Criticism and Theory: A Reader487 cited
  • 1989Herself beheld: the literature of the looking glass80 cited
  • 1967The Magic Toyshop49 cited
  • 2002Seeing Ourselves: Women's Self-Portraits27 cited

Cited by

  • 2012On the Slope Is on the Screen77 cited
  • 2008The political subject of blogs25 cited
  • 2016Coalescing the mirror and the screen: consuming the ‘self’ online14 cited

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