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Australian Independent Music and the Experience Economy
16 references·0 citing·47 second hop
Australian Independent Music and the Experience Economy (2013)Australian Independent Music and the Expe…Advances in Consumer Research (2025)Advances in Consumer ResearchValuing Independence: Esteem Value and Its Role in the Independent Music Scene (2012)Valuing Independence: Esteem …“I Tote and I Vote”: Australian live music and cultural policy (2011)“I Tote and I Vote”: Australi…The impact of music festival attendance on young people’s psychological and social well-being (2010)The impact of music festival …Indie Culture: In Pursuit of the Authentic Autonomous Alternative (2009)Indie Culture: In Pursuit of …Amateur experts (2009)Amateur expertsTrade mark registered: Sponsorship within the Australian Indie music festival scene (2008)Trade mark registered: Sponso…Creating Experiences in the Experience Economy (2008)Creating Experiences in the E…‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene (2008)‘You've got to go to gigs to …Music Festivals: Transformations in Non-Metropolitan Places, and in Creative Work (2007)Music Festivals: Transformati…What Is Indie Rock? (2005)What Is Indie Rock?Losing the local: Sydney and the Oz Rock tradition (2000)Losing the local: Sydney and …The experience economy: work is theatre & every business a stage (1999)The experience economy: work …INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Hedonic Consumption: Music As a Product (1989)Hedonic Consumption: Music As…The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun (1982)The Experiential Aspects of C…“Cloze Procedure”: A New Tool for Measuring Readability (1953)Conflict, arousal, and curiosity. 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(2009)An Exploratory Study of the Responses and Relationships Involved in the Evaluation of, and in the Intention to Purchase New Rock Music (1994)Leisure as symbolic consumption: A conceptualization and prospectus for future research (1994)Factors influencing online music purchase intention in Taiwan (2007)A Cognitive Model of the Antecedents and Consequences of Satisfaction Decisions (1980)Consumer Perceptions of Price, Quality, and Value: A Means-End Model and Synthesis of Evidence (1988)Conceptualizing, Measuring, and Managing Customer-Based Brand Equity (1993)Drivers of customers' service experiences: a study in the restaurant industry (2010)Measuring customer experience in banks: scale development and validation (2014)Transformative travel as a sustainable market niche for protected areas: a new development, marketing and conservation model (2017)
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References

  • 2025Advances in Consumer Research13,486 cited
  • 1982The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun8,358 cited
  • 1999The experience economy: work is theatre & every business a stage2,690 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 2010The impact of music festival attendance on young people’s psychological and social well-being276 cited
  • 2009Amateur experts167 cited
  • 2005What Is Indie Rock?138 cited
  • 2008Creating Experiences in the Experience Economy120 cited
  • 2009Indie Culture: In Pursuit of the Authentic Autonomous Alternative96 cited
  • 1989Hedonic Consumption: Music As a Product85 cited
  • 2008‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene40 cited
  • 2007Music Festivals: Transformations in Non-Metropolitan Places, and in Creative Work37 cited
  • 2000Losing the local: Sydney and the Oz Rock tradition23 cited
  • 2011“I Tote and I Vote”: Australian live music and cultural policy23 cited
  • 2008Trade mark registered: Sponsorship within the Australian Indie music festival scene18 cited

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  • 2012Valuing Independence: Esteem Value and Its Role in the Independent Music Scene17 cited
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