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The Audience experience: a critical analysis of audiences in the performing arts
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The Audience experience: a critical analysis of audiences in the performing arts (2014)The Audience experience: a critical analy…Understanding the value of the creative arts: place-based perspectives from regional Australia (2021)Understanding the value of th…Nothing About Us Without Us: Co-creation with Communities for Impact Assessment (2021)Nothing About Us Without Us: …Understanding Audiences: A Critical Review of Audience Research (2019)Understanding Audiences: A Cr…The death of arts marketing: a paradigm shift from consumption to enrichment (2019)The death of arts marketing: …Exploring theater experiences among Hong Kong audiences (2019)Exploring theater experiences…Theatre as Co-Creative Space and as Inspiration for Higher Education (2017)Theatre as Co-Creative Space …Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK (2017)Risk and Reward in Classical …Introduction: The Japanese Robot and Performance (2016)Introduction: The Japanese Ro…Poetics, Power, Possibilities, and Playfulness: Zombies, Performance, and Making Meaning in Young People's Lives (2015)Poetics, Power, Possibilities…On the edge of their seats: Comparing first impressions and regular attendance in arts audiences (2015)On the edge of their seats: C…A virtuous circle: the positive evaluation phenomenon in arts audience research (2015)A virtuous circle: the positi…Evaluating the social impact of participation in arts activities (2002)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Beyond the “Toolkit Approach”: Arts Impact Evaluation Research and the Realities of Cultural Policy‐Making (2010)Deep hanging out in the arts: an anthropological approach to capturing cultural value (2016)Who watches the watchmen? Evaluating evaluations of El Sistema (2018)The audience as artist? The audience’s experience of participatory music (2019)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Communities of Practice (1998)Communities of practice learning, meaning, and identity (1999)Distinction: A Social Critique of the Judgement of Taste. (1985)Assessing Response Rates and Nonresponse Bias in Web and Paper Surveys (2003)Distinction: A Social Critique of the Judgement of Taste* (2018)Is participation in music festivals a self-expansion opportunity? Identity, self-perception, and the importance of music’s functions (2018)In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences (2020)Measuring the Audience Experience at the Jazzaldia Festival, San Sebastian, Spain (2021)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Vibrant Matter (2010)Vibrant Matter: A Political Ecology of Things (2010)Frontline robots in tourism and hospitality: service enhancement or cost reduction? (2020)Motivation and Personality (1997)Using thematic analysis in psychology (2006)From ritual to theatre : the human seriousness of play (1982)Performance Studies: An Introduction (2003)Art as Experience (1934) (2026)Handbook of Qualitative Research. (1995)Qualitative Interviewing: The Art of Hearing Data (1996)Qualitative content analysis in nursing research: concepts, procedures and measures to achieve trustworthiness (2003)Hedonic Consumption: Emerging Concepts, Methods and Propositions (1982)Customer Engagement (2011)Value co-creation in service logic: A critical analysis (2011)Does co-production build on co-creation or does co-creation result in co-producing? (2020)Opera participants’ perceptions of brand resonance (2021)Sponsored Content in Spanish Media: Strategies, Transparency, and Ethical Concerns (2021)Dramas, Fields, and Metaphors: Symbolic Action in Human Society (1975)From Ritual to Theatre: The Human Seriousness of Play (1983)Place and Experience (1999)Artificial hells: participatory art and the politics of spectatorship (2013)Creative health: the arts for health and wellbeing (2017)Cultural Policy is Local (2023)Street art and creative place-making: urban tourism regeneration in Toronto, Canada (2023)Activating rural infrastructures in regional communities: Cultural funding, silo art works and the challenge of local benefit (2024)
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Cited by

  • 2019The death of arts marketing: a paradigm shift from consumption to enrichment31 cited
  • 2015A virtuous circle: the positive evaluation phenomenon in arts audience research30 cited
  • 2015On the edge of their seats: Comparing first impressions and regular attendance in arts audiences20 cited
  • 2021Understanding the value of the creative arts: place-based perspectives from regional Australia18 cited
  • 2019Exploring theater experiences among Hong Kong audiences8 cited
  • 2019Understanding Audiences: A Critical Review of Audience Research7 cited
  • 2016Introduction: The Japanese Robot and Performance6 cited
  • 2017Theatre as Co-Creative Space and as Inspiration for Higher Education5 cited
  • 2015Poetics, Power, Possibilities, and Playfulness: Zombies, Performance, and Making Meaning in Young People's Lives4 cited
  • 2017Risk and Reward in Classical Music Concert Attendance: Investigating the Engagement of ‘Art’ and ‘Entertainment’ Audiences with a Regional Symphony Orchestra in the UK3 cited
  • 2021Nothing About Us Without Us: Co-creation with Communities for Impact Assessment2 cited

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