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Performance Practice of the Dagara-Birifor Gyil Tradition Through the Analysis of the Bewaa and Daarkpen Repertoire
11 references·0 citing·23 second hop
Performance Practice of the Dagara-Birifor Gyil Tradition Through the Analysis of the Bewaa and Daarkpen Repertoire (2006)Performance Practice of the Dagara-Birifo…Gyil Music of the Dagarti People: Learning, Performing, and Representing a Musical Culture (2005)Gyil Music of the Dagarti Peo…Composing the Music of Africa (1999)Composing the Music of AfricaTechniques of variation and concepts of musical understanding in Northern Ghana (1998)Techniques of variation and c…The structure of Dagaare (1997)The structure of DagaareRepresenting African Music (1992)Representing African MusicGyil: The Dagara-Lobi Xylophone (1982)Gyil: The Dagara-Lobi Xylopho…African Rhythm and African Sensibility (1982)African Rhythm and African Se…The Myth of the Bagre (1973)The Myth of the BagreAn Aesthetic of the Cool (1973)An Aesthetic of the CoolComposition techniques in Kiganda xylophone music: with an introduction into some Kiganda musical concepts (1969)Composition techniques in Kig…The Polyphony of Gyil-gu, Kudzo and Awutu Sakumo (1967)The Polyphony of Gyil-gu, Kud…Music, Imagination, and Culture (1990)African Polyphony and Polyrhythm (1991)Music, imagination, and culture (1991)Piano Four-Hands: Schubert and the Performance of Gay Male Desire (1997)Hearing, Seeing, and Perceptual Agency (2008)Performing in the Shadows: Learning and Making Music as Ethnomusicological Practice and Theory (2010)Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies (2012)“Senior coolness”: Living well as an attitude in later life (2013)Knowledge in Motion: Constellations of Learning Across Time and Place (2016)Prosodic morphology in Dagaare (2007)The African lax question prosody: Its realisation and geographical distribution (2008)The Phonology of a Three Year Old Safaliba-Speaking Child (2015)A Dagara Rebellion against Dagomba Rule? Contested Stories of Origin in North-Western Ghana (1994)Africa and orality (2000)A short history of African philosophy (2010)Music and Postcolonial Africa (2018)African space/time concepts and the Tusona ideographs in Luchazi culture (1987)Resisting Sameness: À propos Kofi AgawuÕs Representing African Music (2004)“CREATIVE ETHNOMUSICOLOGY” AND AFRICAN ART MUSIC: A CLOSE MUSICAL READING OF WOOD AND CLAY, KUNDI DREAMS AND UMRHUBHE GEESTE BY ANTHONY CAPLAN (2017)Individual: Community: Nation a Case Study in Maasai Music and Kenyan Education (2001)The Person and the Life Cycle in African Social Life and Thought (1986)Secrecy, Ambiguity, and the Everyday in Kabre Culture (1993)Life Stories, Disclosure and the Law (1997)
this work references cited by second hop

References

  • 1982African Rhythm and African Sensibility312 cited
  • 1973An Aesthetic of the Cool155 cited
  • 1992Representing African Music146 cited
  • 1997The structure of Dagaare56 cited
  • 1973The Myth of the Bagre47 cited
  • 1969Composition techniques in Kiganda xylophone music: with an introduction into some Kiganda musical concepts15 cited
  • 1998Techniques of variation and concepts of musical understanding in Northern Ghana8 cited
  • 1999Composing the Music of Africa7 cited
  • 1982Gyil: The Dagara-Lobi Xylophone6 cited
  • 2005Gyil Music of the Dagarti People: Learning, Performing, and Representing a Musical Culture6 cited
  • 1967The Polyphony of Gyil-gu, Kudzo and Awutu Sakumo6 cited

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