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APOLLO'S WHIRLIGIG: WILLIAM CAVENDISH, DUKE OF NEWCASTLE AND HIS MUSIC COLLECTION
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APOLLO'S WHIRLIGIG: WILLIAM CAVENDISH, DUKE OF NEWCASTLE AND HIS MUSIC COLLECTION (1994)APOLLO'S WHIRLIGIG: WILLIAM CAVENDISH, DU…Transactions of the Cambridge Bibliographical Society (2020)Transactions of the Cambridge…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Four and Twenty Fiddlers: The Violin at the English Court 1540 - 1690 (1993)Four and Twenty Fiddlers: The…The Musical Patronage of Robert Cecil, First Earl of Salisbury (1563–1612) (1991)The Musical Patronage of Robe…THE PORTLAND PAPERS (1989)THE PORTLAND PAPERSEntertaining the Palatine Prince: Plays on Foreign Affairs 1635-1637 (1983)Entertaining the Palatine Pri…The Filmer Manuscripts: A Handlist (1978)The Filmer Manuscripts: A Han…PUBLICATION DATES FOR BYRD'S LATIN MASSES (1966)PUBLICATION DATES FOR BYRD'S …Some British Collectors of Music, c. 1600-1960 (1965)Some British Collectors of Mu…LITURGICAL ASPECTS OF BYRD'S GRADUALIA (1963)LITURGICAL ASPECTS OF BYRD'S …THE CHARACTER OF ELIZABETHAN CATHOLICISM (1962)THE CHARACTER OF ELIZABETHAN …Sir Charles Cavendish and his learned friends (1952)Sir Charles Cavendish and his…Anti-Calvinists: The Rise of English Arminianism c. 1590-1640 (1987)The Cambridge History of Libraries in Britain and Ireland (2006)The medieval library (toc. 1450) (2006)The Cambridge History of Sixteenth-Century Music (2019)Le Short Tract, première œuvre philosophique de Hobbes (1995)Hobbes, Bramhall and the Politics of Liberty and Necessity: A Quarrel of the Civil Wars and Interregnum (2007)Optical reflection and mechanical rebound: the shift from analogy to axiomatization in the seventeenth century. Part 1 (2007)Performance practice: music, medicine and natural philosophy in Interregnum Oxford (1996)The politics of opera in late seventeenth-century London (1998)“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I (2012)Guillaume Du Fay (2019)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Public library services for children (2006)The National Library of Ireland (2006)‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND (2016)The Role of Women in Early English Nonconformity (1983)The Church of England, the Catholics and the People (1984)Prosopografia (2011)Early Stuart Court Culture: Compliment or Criticism? (1989)Empirical Middleton: Macbeth, Adaptation, and Microauthorship (2014)From Paris to St. Andrews: The Origins of W1 (1990)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2020Transactions of the Cambridge Bibliographical Society145 cited
  • 1991The Musical Patronage of Robert Cecil, First Earl of Salisbury (1563–1612)81 cited
  • 1965Some British Collectors of Music, c. 1600-196072 cited
  • 1962THE CHARACTER OF ELIZABETHAN CATHOLICISM54 cited
  • 1993Four and Twenty Fiddlers: The Violin at the English Court 1540 - 169042 cited
  • 1952Sir Charles Cavendish and his learned friends19 cited
  • 1983Entertaining the Palatine Prince: Plays on Foreign Affairs 1635-163714 cited
  • 1963LITURGICAL ASPECTS OF BYRD'S GRADUALIA6 cited
  • 1978The Filmer Manuscripts: A Handlist6 cited
  • 1966PUBLICATION DATES FOR BYRD'S LATIN MASSES6 cited
  • 1989THE PORTLAND PAPERS3 cited

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