No Room of Their Own: Gender and Nation in Israeli Women's Fiction

Abstract

IntroductionI. Running with She-Wolves?II. The New Hebrew WomanIII. The Subject of PostmodernismIV. Isreal and the European QuestionOne: Emerging SubjectsI. The Masked Autobiography: Genre and GenderII. What Does a Woman Want? Shulamit Lapid and the Feminist RomanceTwo: Alterity Revisited: Theory and Israeli Literary FeminismI. Beauvior's Drama of SubjectivityII. Beauvoir's Daughters: Otherness as DifferenceIII. Postmodernism's Mother's Body, Mother's TongueIV. Empowering the M/Other?Three: Empowering the Other: Amalia Kahana-CarmonI. Feminine, Feminist, or Modernist?II. A Brotherhood of Outsiders: Women/Jews/Blacks in Up in MontiferIII. The Brotherhood That Cannot HoldFour: Who's Afraid of Androgyny? Virginia Woolf's Gender avant la lettreI. Untangling the Homoerotic Web: Between Orlando and A Room of One's OwnII. Who's Afraid of Father and Mother(hood)? Back To The LighthouseIII. Mothers and Israeli AndrogynyFive: Israeli Androgyny Under Siege: Shulamith HarevenI. Gendered Selves in City of Many Days: Same, Different, or Repressed?II. Androgynous Jewish Parents? Not in a War Zone!III. Trauma and Homoeroticism: Loneliness, an Israeli StorySix: The Leaning Ivory Tower: Feminist PoliticsI. Oedipal Tyrannies: Woolf's Psychopolitics in Three GuineasII. The Leaning Israeli Tower: Feminism ReinventedIII. Monotheistic Tyrannies: Israeli PsychopoliticsSeven: 1948-Hebrew Gender and Zionist Ideology: Netiva Ben YehudaEight: Beyond The Feminist Romance: Ruth AlmogI. From The Madwoman in the Attic to The Women's RoomII. The Sins of Their Father(s) or, A Portrait of the Artist as a Young GirlIII. Love and Work? Embracing the M/Other in Roots of AirIV. From Hysteria to HerStory: Artistic MendingAfterword: The Nineties-Prelude to a Postmodernist Millennium?

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