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The Queer Composition of America's SoundGay Modernists, American Music, and National Identity
1 references·16 citing·43 second hop
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this work references cited by second hop

References

  • 2000Making Music Modern202 cited

Cited by

  • 2016Just Vibrations103 cited
  • 2007“A Ping, Qualified by a Thud”: Music Criticism in Manhattan and the Case of Cage (1943–58)51 cited
  • 2018The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham38 cited
  • 2017Tonality as Topic37 cited
  • 2020Ask the Experts21 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2019Queer Music Theory7 cited
  • 2010“Dixie Carmen ”: War, Race, and Identity in Oscar Hammerstein's Carmen Jones (1943)6 cited
  • 2014The Transnational History of Settler Colonialism and the Music of the Urban West: Resituating a Local Music History5 cited
  • 2016Music in the Age of Anxiety5 cited
  • 2012Opera and gender studies5 cited
  • 2009Bernstein, Homophobia, Historiography4 cited
  • 2013Princeton Theory's Problematics4 cited
  • 2011Establishing Identity: LGBT Studies & Music Education - Select Conference Proceedings4 cited
  • 2010A Dialogue Begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes

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3 cited
  • 2019Composers as Ethnographers: Difference in the Imaginations of Colin McPhee, Henry Cowell, and Lou Harrison3 cited