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Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration
16 references·0 citing·35 second hop
Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration (2026)Cultural identity and transnational herit…– The Symbolic Construction of Community (2013)– The Symbolic Construction o…A power stronger than itself: the AACM and American experimental music (2009)A power stronger than itself:…Modes of communication during jazz improvisation (2005)Modes of communication during…Culture Communicates: US Diplomacy That Works (2005)Culture Communicates: US Dipl…What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists (2002)What Is This Thing Called Jaz…The Sociology of Nationalism (2002)The Sociology of NationalismThe Rise of a Jazz Art World (2002)The Rise of a Jazz Art WorldThe Jazz cadence of American culture (1999)The Jazz cadence of American …Saying Something: Jazz Improvisation and Interaction (1999)Saying Something: Jazz Improv…Exploring the Empty Spaces of Organizing: How Improvisational Jazz Helps Redescribe Organizational Structure (1999)Exploring the Empty Spaces of…Visions of Jazz: The First Century (1998)Visions of Jazz: The First Ce…An international history of the recording industry (1998)An international history of t…Thinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…Constructing the Jazz Tradition: Jazz Historiography (1991)Constructing the Jazz Traditi…Nations and Nationalism.(New Perspectives on the Past.) (1985)Nations and Nationalism.(New …Hear me talkin' to ya : the story of jazz as told by the men who made it (1966)Hear me talkin' to ya : the s…Outline of a Theory of Practice (1977)The Constitution of Society. Outline of the Theory of Structuration (1984)Flow: the psychology of optimal experience (1990)The Project Ecology of Advertising: Tasks, Talents and Teams (2002)Getting Personal: Reflexivity and Autoethnographic Vignettes (2005)Designing routines: On the folly of designing artifacts, while hoping for patterns of action (2008)Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)No Respect: Intellectuals and Popular Culture (1990)Creating Country Music (1997)Arts participation as cultural capital in the United States, 1982–2002: Signs of decline? (2004)In Search of Authenticity* (2005)Mapping Shared Understandings Using Relational Class Analysis: The Case of the Cultural Omnivore Reexamined (2011)Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist (1989)Specters of Democracy (2011)The Cambridge History of African American Literature (2011)Constructing Ethnicity: Creating and Recreating Ethnic Identity and Culture (1994)Masculinity and nationalism: gender and sexuality in the making of nations (1998)What Schools Need to Know About Fostering School Belonging: a Meta-analysis (2016)Group creativity: musical performance and collaboration (2006)Distributed creativity: How collective creations emerge from collaboration. (2009)Music and the materialization of identities (2011)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Europeanization (1997)Crossing Borders: International Migration and National Security (2006)Bilingualism and the Nation-State In the Post-National Era (2007)The Nation in History: Historiographical Debates about Ethnicity and Nationalism (2000)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Jazz Among the Discourses (1995)Uptown Conversation (2004)Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Nina Simone's Triple Play (2011)Loving Music Till It Hurts (2019)
this work references cited by second hop

References

  • 2013– The Symbolic Construction of Community1,837 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1999The Jazz cadence of American culture424 cited
  • 1999Exploring the Empty Spaces of Organizing: How Improvisational Jazz Helps Redescribe Organizational Structure424 cited
  • 1999Saying Something: Jazz Improvisation and Interaction382 cited
  • 1991Constructing the Jazz Tradition: Jazz Historiography368 cited
  • 2002The Sociology of Nationalism322 cited
  • 2002What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists277 cited
  • 2002The Rise of a Jazz Art World206 cited
  • 1985Nations and Nationalism.(New Perspectives on the Past.)206 cited
  • 2005Modes of communication during jazz improvisation164 cited
  • 2009A power stronger than itself: the AACM and American experimental music151 cited
  • 1998An international history of the recording industry146 cited
  • 1998Visions of Jazz: The First Century138 cited
  • 2005Culture Communicates: US Diplomacy That Works126 cited
  • 1966Hear me talkin' to ya : the story of jazz as told by the men who made it

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