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Freedom Now!: Four Hard Bop and Avant-Garde Jazz Musicians' Musical Commentary on the Civil Rights Movement, 1958-1964.
16 references·0 citing·26 second hop
Freedom Now!: Four Hard Bop and Avant-Garde Jazz Musicians' Musical Commentary on the Civil Rights Movement, 1958-1964. (2004)Freedom Now!: Four Hard Bop and Avant-Gar…David Walker’s Appeal to the Coloured Citizens of the world 1829 (2010)David Walker’s Appeal to the …The African diaspora: a musical perspective (2003)The African diaspora: a music…A love supreme: the story of John Coltrane's signature album (2003)A love supreme: the story of …Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. (2000)Just My Soul Responding: Rhyt…John Coltrane: His Life and Music (1998)John Coltrane: His Life and M…Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films. New Expanded Edition. (1992)Toms, Coons, Mulattoes, Mammi…Hard bop: jazz and black music, 1955-1965 (1992)Hard bop: jazz and black musi…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…A CRITICAL BIOGRAPHY (1986)A CRITICAL BIOGRAPHYThe freedom principle: Jazz after 1958 (1984)The freedom principle: Jazz a…Mingus, a Critical Biography (1983)Mingus, a Critical BiographyJazz Styles: History and Analysis (1978)Jazz Styles: History and Anal…The Jazz Scene (1975)The Jazz SceneToms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films (1973)Toms, Coons, Mulattoes, Mammi…The Jazz Tradition (1970)The Jazz TraditionBlack nationalism and the revolution in music (1970)Black nationalism and the rev…Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties (2003)Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination (2004)The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies (2004)The Weapons of Our Warfare: Music, Positionality, and Transcendence Among Haitian Pentecostals (2008)The Cambridge Companion to Percussion (2016)Differences between Male and Female Students' Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation (2006)Sensemaking and sensegiving stories of jazz leadership (2012)The Flexibility Hypothesis of Healing (2016)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)Critical Race Theory and Education: History, Theory, and Implications (1997)Collective Identity and the Burden of “Acting White” in Black History, Community, and Education (2004)New Monastery: Monk and the Jazz Avant-Garde (1999)Music and Ethical Responsibility (2014)Openness to Experience (2014)FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM (2014)Singing the romance: Gendered and racialized representations of love and postfeminism in popular music (2019)The legacy of the Black Church: older African Americans’ religiousness (2019)Careers in the right beat: US jazz musicians' typical and non‐typical trajectories (2007)Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 1957 (2018)Sampling the 1970s in hip-hop (2003)Banding together: how communities create genres in popular music (2012)African American English: A Linguistic Introduction (2004)Hey Girl, Am I More than My Hair?: African American Women and Their Struggles with Beauty, Body Image, and Hair (2006)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1973Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films457 cited
  • 1970Black nationalism and the revolution in music218 cited
  • 1992Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films. New Expanded Edition.193 cited
  • 1998John Coltrane: His Life and Music151 cited
  • 2003The African diaspora: a musical perspective148 cited
  • 2000Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations.143 cited
  • 1978Jazz Styles: History and Analysis132 cited
  • 1984The freedom principle: Jazz after 1958123 cited
  • 1983Mingus, a Critical Biography114 cited
  • 1986A CRITICAL BIOGRAPHY98 cited
  • 2003A love supreme: the story of John Coltrane's signature album48 cited
  • 1970The Jazz Tradition45 cited
  • 1992Hard bop: jazz and black music, 1955-196544 cited
  • 1975The Jazz Scene42 cited
  • 2010David Walker’s Appeal to the Coloured Citizens of the world 1829

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