LA CREACIÓN MUSICAL DE ROBERTO GERHARD DURANTE EL MAGISTERIO DE ARNOLD SCHOENBERG: NEOCLASICISMO, OCTATONISMO Y ORGANIZACIÓN PROTO-SERIAL (1923-1928)

Alonso Tomás

4 citations0/0 files storedRevista de Musicología

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

Diego Alonso Tomás, LA CREACIÓN MUSICAL DE ROBERTO GERHARD DURANTE EL MAGISTERIO DE ARNOLD SCHOENBERG: NEOCLASICISMO, OCTATONISMO Y ORGANIZACIÓN PROTO-SERIAL (1923-1928), Revista de Musicología, Vol. 38, No. 2 (Julio-Diciembre 2015), pp. 739-747

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 4 citations exist upstream.

Cited by

2019El mundo mítico de la ‘Cueva de Montesinos’ en la música para Don Quixote de Roberto Gerhard

Imported from OpenAlex (CC0) — nothing here is generated.