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Migrant Labor, Folklore, and Resistance in Hurston's Polk County: Reframing Mules and Men
16 references·2 citing·30 second hop
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this work references cited by second hop

References

  • 1991Domination and the arts of resistance: hidden transcripts6,530 cited
  • 1986Writing Culture: The Poetics and Politics of Ethnography6,196 cited
  • 1990Yearning: Race, Gender, and Cultural Politics4,318 cited
  • 1993"We Are Not What We Seem": Rethinking Black Working-Class Opposition in the Jim Crow South444 cited
  • 1996Race Rebels: Culture, Politics, and the Black Working Class.297 cited
  • 1996Women of the Harlem Renaissance230 cited
  • 1991The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston180 cited
  • 1985Thresholds of Difference: Structures of Address in Zora Neale Hurston127 cited
  • 1993Black Writing, White Reading: Race and the Politics of Feminist Interpretation111 cited
  • 1988Specifying: Black Women Writing the American Experience.109 cited
  • 1990The Politics of Ethnographic Authority: Race and Writing in the Ethnography of Margaret Mead and Zora Neale Hurston67 cited
  • 19967. MULTIPLE SUBJECTIVITIES AND STRATEGIC POSITIONALITY: ZORA NEALE HURSTON'S EXPERIMENTAL ETHNOGRAPHIES47 cited
  • 1994Invisibility Blues: From Pop to Theory47 cited
  • 1986"Race," Writing, and Culture43 cited
  • 1992"Sis Cat" as Ethnographer: Self-Presentation and Self-Inscription in Zora Neale Hurston's Mules and Men

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40 cited
  • 1998Unsettled subjects: restoring feminist politics to poststructuralist critique27 cited
  • Cited by

    • 2011Real Folks18 cited
    • 2012Real folks: race and genre in the Great Depression17 cited