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ANTICOMMUNIST WAR FILMS OF THE 1960s AND THE KOREAN CINEMA’S EARLY GENRE-BENDING TRADITIONS
4 references·0 citing·14 second hop
ANTICOMMUNIST WAR FILMS OF THE 1960s AND THE KOREAN CINEMA’S EARLY GENRE-BENDING TRADITIONS (2011)ANTICOMMUNIST WAR FILMS OF THE 1960s AND …Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho (2008)Why American Studies Needs to…"Military Enlightenment" for the Masses: Generic and Cultural Intermixing in South Korea's Golden Age War Films (2005)"Military Enlightenment" for …The Genre Film as Booby Trap: 1970s GenreBending and The French Connection (2001)The Genre Film as Booby Trap:…Inter-Asia cultural studies (2000)Inter-Asia cultural studiesThe American Film Musical (1994)South Korean golden age melodrama : gender, genre, and national cinema (2005)Film Genre Reader (1986)Breaking the glass armor: neoformalist film analysis (1989)The Hollywood Musical (1992)The Concept of National Cinema (1989)Crossroads of Cultures: The Transnational Turn in American Studies--Presidential Address to the American Studies Association, November 12, 2004 (2005)China on screen: cinema and nation (2006)The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest (2010)Memories of Memories: Historicity, Nostalgia, and Archive in Bong Joon-ho's Memories of Murder (2011)PROLIFERATION OF HALLYU WAVE AND KOREAN POPULAR CULTURE ACROSS THE WORLD: A SYSTEMATIC LITERATURE REVIEW FROM 2000-2019 (2020)Translocal spatiality (2002)Participatory media fandom: A case study of anime fansubbing (2011)Mobile intimacies in the queer Sinophone films of Cui Zi'en (2012)
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References

  • 2000Inter-Asia cultural studies171 cited
  • 2008Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho86 cited
  • 2001The Genre Film as Booby Trap: 1970s GenreBending and The French Connection18 cited
  • 2005"Military Enlightenment" for the Masses: Generic and Cultural Intermixing in South Korea's Golden Age War Films11 cited

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