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HE subject for this paper, Solfege an Essential in Musicianship voices, in an indirect way, a conviction that solfege really is an essential of musicianship. If this is so, we might perhaps logically carry this idea still further and say that without solfege the musicianship of any individual runs the danger of being defective, or at least incomplete. This seems to me the inevitable though somewhat startling corollary of the topic in hand.
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