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This paper deals with the involvement of Greek clergy in secular poetry and music in early-modern Balkans. This trend began in late-16th century, and involved the production of large anthologies and treatises on Ottoman music. This paper offers insights into the motives of those clergymen, the reception of their works by laymen and clerics, and the reaction of the official church.
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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