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Foreword Anthony Shay Chapter 1: Producing Pleasure: Tehran's Motreb and Ruhowzi Chapter 2: Contradictory Characters and Marginalization: From Luti to Gardan Koloft and Mashti Chapter 3: The Repertoires of Motrebi Music Chapter 4: The Evolution of Motrebi Milieu Chapter 5: The Evolution of Iranian Popular Music Chapter 6: Before Revolution: Television, the West and Modernity (1965-79) Chapter 7: After Revolution: The Los Angeles Factor (1979-97) Chapter 8: Made in Iran: New Popular Music (1997-2014) Conclusion
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