MODERN PİYANO TEKNİKLERİ ve İKİ ESER

Abstract

“Contemporary Techniques” are those untraditional music singing or playing techniques. Although the use of extended piano techniques were used through every period of music history their application in music since 1900’s has become much more common. Many contemporary composers search different technical possibilities of instruments and these techniques increase the instrumental colors for contemporary works. Extended piano techniques are techniques for producing unique sounds. In this study, Mesruh Savas’s (1978-) first two compositions which were composed for the project “Extended Piano Techniques and Teaching in Music Education Departments” was chosen as an example and were analyzed. Their contribution to music literature and their place and importance was examined and searched. Thus, it was observed that the extended techniques utilized in these pieces are playing pizzicato with right and left hands fingertips, using different tools like chisel and paper clips for achieving different colors. According the limited literature about subject, like only one doctorate thesis in Turkey, by making this analysis this study will make important contributions to the literature. Keywords : extended piano techniques, piano education, piano literature, Turkey OZET “Modern Teknikler” muzikte kullanilan icra teknikleri olup bu teknikler geleneksel olandan soyleme veya calma teknikleridir. Modern piyano tekniklerinin kullanimi muzik tarihinin her doneminde var olmussa da, 20. yy. muzigindeki kullanimi cok daha yaygindir. Pek cok cagdas besteci calgilarin farkli teknik olanaklarini arastirmakta ve suphesiz bu yontem cagdas eserler icin calgisal renklerin cesitliligini artirmaktadir. Modern piyano teknikleri alisilmisin disinda ses uretme teknikleridir. Bu arastirmada Mesruh Savas’in (1978-) 2011 yilinda Uludag Universitesi Egitim Fakultesi Muzik Egitimi Anabilim Dali’nda uygulanan “Modern Piyano Teknikleri ve Muzik Ogretmenligi Programinda Uygulanmasi” adli proje icin besteledigi ilk iki eserin muzikal analizi yapilmistir. Boylelikle bu iki eserin piyano edebiyati icindeki yeri ve piyano edebiyatina katkilari incelenmis ve arastirmanin sonucunda eserlerde sag ve sol el parmak ucu ile pizzicato yapma, demir keski, atac ve demir para gibi degisik araclari kullanarak metalik sesler elde etme gibi tekniklerin kullanildigi gorulmustur. Modern teknikleri kullanilarak yazilan eserlerin incelenmesiyle bu konuda sadece bir doktora tezinden olusan Turkce literature katki saglayacagi dusunulmustur. Anahtar Sozcukler: modern piyano teknikleri, piyano egitimi, piyano edebiyati, Turkiye

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