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The Spectacle of Visual Culture
16 references·11 citing·32 second hop
The Spectacle of Visual Culture (2004)The Spectacle of Visual CultureÉcrits: A Selection (2001)Écrits: A SelectionCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…One-Dimensional Man (2000)One-Dimensional ManTeaching positions: difference, pedagogy, and the power of address (1998)Teaching positions: differenc…Simulacra and Simulation (1995)Simulacra and SimulationThe image : a guide to pseudo-events in America (1992)The image : a guide to pseudo…The Logic of Practice (1990)The Logic of PracticeManufacturing Consent: The Political Economy of the Mass Media. (1989)Manufacturing Consent: The Po…A Thousand Plateaus: Capitalism and Schizophrenia (1989)A Thousand Plateaus: Capitali…A Theory of Parody. The Teachings of Twentieth-Century Art Forms (1986)A Theory of Parody. The Teach…Sister Outsider: Essays and Speeches (1984)Sister Outsider: Essays and S…Philosophy and the Mirror of Nature. (1983)Philosophy and the Mirror of …The Culture of Narcissism: American Life in an Age of Diminishing Expectations (1981)The Culture of Narcissism: Am…The Culture of Narcissism: American Life in an Age of Diminishing Expectations (1979)The Culture of Narcissism: Am…The archaeology of knowledge ; and, The discourse on language (1972)The archaeology of knowledge …Understanding Media: The Extensions of Man (1964)Understanding Media: The Exte…How Soon Is Now? Post-Conditions in Art Education (2018)How Soon Is Now? Post-Conditi…Why Does the Buddha Laugh? Exploring Ethnic Visual Culture (2010)Why Does the Buddha Laugh? Ex…Imagesof Women in Visual Culture (2009)Imagesof Women in Visual Cult…Bases of Preservice Art Teachers’ Reflective Art Judgments (2009)Bases of Preservice Art Teach…The Culture of Childhood and the Visual Arts (2007)The Culture of Childhood and …Guy Debord's The Society of the Spectacle (2007)Guy Debord's The Society of t…Extreme Bodies: The Body as Represented and Experienced through Critical and Popular Visual Culture (2007)Extreme Bodies: The Body as R…Visual Culture of Control (2006)Visual Culture of ControlBeyond Bombardment: Subjectivity, Visual Culture, and Art Education (2006)Beyond Bombardment: Subjectiv…Opening Re-Marks: Critical Antecedents of Visual Culture in Art Education (2005)Opening Re-Marks: Critical An…Home Sweet Home? Decorating Magazines as Contexts for Art Education (2005)Home Sweet Home? Decorating M…The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (1989)On Collective Memory (1992)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Discourse Analysis as Theory and Method (2002)3.2. MARXISM AND LITERATURE (2006)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Narrative configuration in qualitative analysis (1995)Reconceptualizing Organizational Routines as a Source of Flexibility and Change (2003)The Practice Turn in Contemporary Theory (2005)Tourist motivation an appraisal (1981)Exploring the essence of memorable tourism experiences (2011)To See and Be Seen: Celebrity Practice on Twitter (2011)Language and Sexuality (2003)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The Complexity of Intersectionality (2005)‘Nothing Comes Without Its World’: Thinking with Care (2012)Intersectionality (2013)Intersectionality's Definitional Dilemmas (2015)Simulacra and Simulation (2007)The Mediatization of Society (2008)Rethinking Populism: Politics, Mediatisation and Political Style (2013)Club cultures: music, media and subcultural capital (1996)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)Social Implications of the Internet (2001)Mediating the Message: Theories of Influences on Mass Media Content (1995)Comparing Media Systems (2004)Defining “Fake News” (2017)Narration as a human communication paradigm: The case of public moral argument (1984)DECONSTRUCTING THE MAP (1989)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)
this work references cited by second hop

References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 1990The Logic of Practice17,255 cited
  • 1964Understanding Media: The Extensions of Man12,311 cited
  • 1995Simulacra and Simulation6,889 cited
  • 1984Sister Outsider: Essays and Speeches6,817 cited
  • 1972The archaeology of knowledge ; and, The discourse on language5,727 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1989Manufacturing Consent: The Political Economy of the Mass Media.5,437 cited
  • 1992The image : a guide to pseudo-events in America2,821 cited
  • 1983Philosophy and the Mirror of Nature.2,288 cited
  • 2001Écrits: A Selection2,100 cited
  • 2000One-Dimensional Man1,879 cited
  • 1979The Culture of Narcissism: American Life in an Age of Diminishing Expectations1,593 cited
  • 1981The Culture of Narcissism: American Life in an Age of Diminishing Expectations1,234 cited
  • 1986A Theory of Parody. The Teachings of Twentieth-Century Art Forms931 cited
  • 1998Teaching positions: difference, pedagogy, and the power of address686 cited

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Cited by

  • 2005Opening Re-Marks: Critical Antecedents of Visual Culture in Art Education43 cited
  • 2007The Culture of Childhood and the Visual Arts28 cited
  • 2007Guy Debord's The Society of the Spectacle27 cited
  • 2006Beyond Bombardment: Subjectivity, Visual Culture, and Art Education24 cited
  • 2018How Soon Is Now? Post-Conditions in Art Education21 cited
  • 2006Visual Culture of Control11 cited
  • 2005Home Sweet Home? Decorating Magazines as Contexts for Art Education11 cited
  • 2010Why Does the Buddha Laugh? Exploring Ethnic Visual Culture10 cited
  • 2009Imagesof Women in Visual Culture8 cited
  • 2009Bases of Preservice Art Teachers’ Reflective Art Judgments8 cited
  • 2007Extreme Bodies: The Body as Represented and Experienced through Critical and Popular Visual Culture8 cited